A Quote by Lexi Alexander
Truth: I loathe the idea of being hired because of my gender, and I shudder at the thought that one day I show up on set, and half of the crew thinks, 'Here comes the quota hire.'
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Dog is much admired by Man because he believes in the hand which feeds him. A perfect set-up. For 13 cents a day you've got a hired killer who thinks you are god. A dog can't tell a Nazi from a Republican from a Commie from a Democrat and, many times, neither can I.
Seek the truth in all fields, and in that search you will need at least three virtues: courage, zest and modesty. The ancients put that thought in the form of a prayer. They said, “From the cowardice that shrinks from new truth, from the laziness that is content with half truth, from the arrogance that thinks it has all truth – O God of truth, deliver us.
The last reason I want to be hired is because of my gender. I want to be hired because you trust me, because of my potential, because you believe that I know basketball, and we go and we build from there.
David Cameron, and before him Iain Duncan Smith, went out of their way to attract women into the party. Yes, we need to sell politics to more women, but quotas are not the way forward. You set a quota, what is the right quota? What is the wrong quota?
The quota idea is a good one, but there are two problems with it. The first is clear: A quota system would also require all European countries to be prepared to take refugees. And secondly: What happens when the quota has been filled? Would we then simply tell those who are threatened, sorry but we have to send you back?
In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
It was an event whenever 'CHiPs' would come on in my house. There wasn't a lot of Latin people being hired to star in TV shows or movies back in the day. Not only was it a fun show, there was a Latino starring in it - so we thought it was extra cool.
I hung out a lot with the ring crew guys. I got along better with them then I did the other guys, the other talent. The guys that show up early in the morning and set the ring up and stay there all day and then take the ring down and drive five and six hours that night to get to the next show.
There's a lot of work to do - not only the science but maintaining the facilities up here. When you go down from a crew of six to a crew of three, obviously you've lost half of your crew time available, so it does have an impact. But it's an impact we plan for.
I've never really hired anybody that people thought I should hire.
Some people think it's psuedo-science, but it's called morphic resonance. It's when someone thinks of an idea, it makes it easier for someone else to think of the idea. That's why you should do crossword puzzles later in the day, because other people have thought about the answers. That's why you hear about people coming up with inventions almost at the same time, because someone else is thinking about it. That's why whenever I have a really good idea, I'm always worried about theft.
White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.
I understand the formula that producers hire directors and directors are hired to direct and actors are hired to act. I don't have any conflict with any directors because I know they're the boss.
At some shows, the set list gets changed while we are on stage. I know Ed thinks about the set very hard throughout the day in order to make the best show possible for the fans and for us.
Most of the crew were staying in Monaco. But my family and I were actually staying in Nice because I had my whole family there and we wanted a little more space and to stay in a hotel. The truth is we were asleep [when the attack Bastille Day terror happened] and woke up the next morning to it and it was obviously horrific. And then the idea of going out and filming, it just felt so stupid to be working the next day and pretending that everything's cool when you're making some frivolous thing.
I thought it would be a good idea to look at New York with this half-European, half-native eye and really do something to get back at this city that I thought really gave me a hard time when I grew up.
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