A Quote by Lily Aldridge
I'm a woman, of course I still have curves on me, and that's ok. I had a baby and I've worked hard. And I don't think women should have to feel that kind of pressure. I've done it really healthfully, and I took my time.
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I trained and worked really hard all my life in dance classes. I always fell into the shadows of my mother, and it was hard for me to really realize that I had done the work. Yes, she took me to the best teachers, but I did the work.
But truly, women are amazing. Think about it this way: a woman can grow a baby inside her body. Then a woman can deliver the baby through her body. Then, by some miracle, a woman can feed a baby with her body. When you compare that to the male’s contribution to life, it’s kind of embarrassing, really.
In 'Mr Shrimati,' I had a long role as a woman. A cabaret number was also picturised on me. I really worked hard in that film and feel that to date, no man has matched my level when playing a woman.
This transition of being a woman and a breadwinner - it took some time for my dad to get used that. It took some time for my husband. I was like, gosh, I've worked so hard to be here, and then all of a sudden I don't know if I feel comfortable being here.
I had been at the director's workshop for women at the AFI, which at the time was a great thing to do. I had always meant to direct, and for a variety of reasons that are hard to explain, I never did. I produced many things - there'll be people who tell you I directed through them - and of course I wrote. It took a divorce, a move back to New York and a kind of "now I can do anything" to say, "I really want to do this."
I think that the thing that holds so many of us back is our fear that we might fail, and I think we lose an incredible amount of talent and energy and enthusiasm that way. So I think, since I'm kind of a shining example of losing, that it's important for me to show that it's OK to lose, that I'm still so happy that I entered the fight, that I fought for something that mattered to me and that I gave voice to it and I made it part of the conversation. I want young women to know that it is OK to fail - it's not OK to stay home. It's not OK to not try.
Kevin [Drew] beat me to the punch because when he first sent "Sister OK" and I'm listening to it, it took me to a place that I had not been to in a long time. It took me to a place when you're a teenager. I understand it all now, but in a moment of confusion, in a moment of trying to find some kind of solid ground in an environment that was quicksand in my life, it's that first line just kills me all the time: "Well it's just that your sister said you'd be OK."
Many women hear the word "feminine" and feel like it's a noose around their neck. "Don't hold me to a mode of behavior because I'm a woman and you think this is how a woman should act," kind of thing.
I don't feel that Shaunae Miller cheated me because she didn't break any rules or anything like that, but I do feel like it's a very difficult way to lose. Having worked so hard and I know that that was such a close race, it just kind of made it even harder to deal with defeat just because of how it was done. But I don't think that she had any ill intention by it or did it on purpose. I think it just kind of happened.
Salma and I had run into each other once or twice at film festivals because I was doing the press for Real Women Have Curves at the same time she was doing the press for Frida. She had seen Real Women Have Curves, and when the idea of Ugly Betty came up, she thought of me. Her enthusiasm about the project was so infectious-she spoke of it with such expectation. Everyone that was involved was really excited about the project. I really wanted to be a part of it.
It's important for a woman to feel good in her clothes. It's OK to have curves and to work them.
People still think that a woman who doesn't have children or doesn't want children is really lacking in something. I've seen this over and over again in my life. I've had this thinking used against me repeatedly. I remember I had a therapist once, and I brought this up, and she said, "Well, I think women who don't have children feel very self-critical. They feel bad, so they think other people are critical in that way."
I think it's really hard to find a good women's magazine, and I like that Glamour is way more about what you want and not what your man wants. I don't really know what it's like to be a woman yet, so I wouldn't have too much insight, but I guess it would be a bit interesting to have more of that granny style in there. Because I think it should be easier for women to feel like they don't have to be conventionally attractive or think of flattering clothing before they think of fun clothing.
I've played lots of strong women in film, in big Hollywood films, and I've sometimes had a hard time in coming to a consensus of what makes a woman strong. What is it that positions her as a force to be reckoned with? And I think it's because there's an expectation from the get-go that she isn't. If you're not starting from a deficit as a point of view, but you're starting from an assumption that says, "Well, this is what women really are," then it's a really freeing experience as an actor and as a woman.
There is some pressure when you are a woman doing what I do that you must support all other women unconditionally, no matter what they're projecting, or writing, or producing, or putting forth as their art. I think that's equally arbitrary and random and unfair, and kind of sexist. The secretly sexist way. I have really high standards for what I think is funny. I have that for everything, and I think it would be disingenuous of me to blanket-ly love everything a woman has produced simply to make a statement that we're all in this together.
I feel pressure as a fan. I don't really feel pressure from the fans, if that makes sense. I worked on other movies, like the X-Men movies, that have big fan followings. And if you start to get lost in those voices, you will be completely lost. I feel the pressure of the 6-year-old me.
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