A Quote by Lily Tomlin
People hire me to create some kind of archetype or some culture type, or something. I guess they accept whatever I come up with.
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If you cannot accept an external event immediately, then some kind of resistance will come up. And there may be some external events you cannot accept at all.
If you're part of any kind of writerly community, some of those people will have gone through MFA programs, and their thinking leaks into yours. So whatever changes MFAs have made to the culture, it's to the culture as a whole. It can't be pinned down to individual books in a way that some people would like to do.
Some people take me as being a rowdy, honky-tonk hero type. Some people see me as a quiet person. I guess I can be either one, you know, at any moment.
Bill Clinton described himself as he's "the big dog." He's out hunting, and he found something. Some woman was emitting some, you know, come-to-me smell or whatever, and he was picking up on the scent.
If you are black on television, you are probably going to be some kind of thug, gangster, or portrayed in a negative light. If you are some type of Muslim, you are going to be blowing stuff up. If you are Hispanic, you are going to be some type of gangbanger. I've felt like this for years.
I think whatever you believe in affects whatever you express, whatever you create. It shapes your morality in some way. But I don't think that's something that you have to shove down people's throats. I'd rather keep it in the background, and I'd rather people came to the music in an unprejudiced way. I'm glad, in a sense, that most people don't know about me, what I do, much. I'd rather they hear the music, and then say, "I wonder what kind of person created this."
What you see with me is what you get. I don't have to conduct a poll to figure out what I'm going to tell somebody. I don't have to hire some consultant to come up with some cute catch phrase. I just call it like I see it.
All kinds of music comes out that I'm not prepared for. Some of it is good, some of it rubbish, but I kind of accept it all. That's the nature of stream-of-consciousness. You can't always come up with your most lucid material in the heat of the moment. I take that risk when I play live. I open up my mind, however fertile a creative springboard it is that evening.
Some of the offers that have come to me would never have come if I had not been President. That means these people are trying to hire not Calvin Coolidge, but a former President of the United States. I can't make that kind of use of the office.... I can't do anything that might take away from the Presidency any of its dignity, or any of the faith people have in it.
There are some people who come to me for some illumination on their problems. I guess they feel I'm writing about some of the things they themselves are going through. But I don't usually have much help to give - there isn't much you can say to someone in the midst of their own crises.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
I feel sometimes constrained by the expectation that the work should be solely political. I try to create a type of work that is at the service of my own set of criteria, which have to do with beauty and a type of utopia that in some ways speaks to the culture I'm located in.
Hopefully my music is medicine, some type of antidote for something or some kind of explanation or just to feel good.
Some people have therapy, some people are alcoholics or they're in AA. Some people jump out of planes on weekends or find ways to release this kind of thing. And for me, it's acting. I find acting very therapeutic for whatever it is.
I always say, 'Man, the Creator is preparing me for something. He's keeping the sun on me for some reason. He's keeping me aligned with that generation.' Because I genuinely love people, I love hip-hop, and I love using it as a tool to communicate and to create a better vibration. Life is short. I guess I'm lined up for a reason.
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
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