A Quote by Linda Colley
Once you know how completely and suddenly the earth can open up at your feet and the worst can happen, it also, paradoxically, leaves you more afraid of everything else.
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After all, this is how you learned how to walk. You didn't just jump up from your crib one day and waltz gracefully across the room. You stumbled and fell on your face and got up and tried again. At what age are you suddenly expected to know everything and never make any more mistakes? If you can love and respect yourself in failure, worlds of adventure and new experiences will open up before you, and your fears will vanish.
Television news is like a lightning flash. It makes a loud noise, lights up everything around it, leaves everything else in darkness and then is suddenly gone.
The fact that there's a more open discussion about everything from feminism to racism?...?I look at my two boys?...?this is their future I'm talking about. When I'll be long gone, it'll be them and their kids. I know that sometimes the darkest times are followed by the lightest. Sometimes bad things have to happen for good things to happen. At the very worst, we're having very open discussions, discussions about things we didn't even know f-king existed. I talk to my friends about it and they are absolutely shocked. They didn't even know.
What I want is to open up. I want to know what's inside me. I want everybody to open up. I'm like an imbecile with a can opener in his hand, wondering where to begin-- to open up the earth. I know that underneath the mess everything is marvelous. I'm sure of it.
the feet should have more of the acquaintance of earth, and know more of flowers, freshness, cool brooks, wild thyme, and salt sand than does anything else about us. ... It is only the entirely unshod that have lively feet.
Rose once told me about this poem she’d read. There was this line, ‘If your eyes weren’t open, you wouldn’t know the difference between dreaming and waking.’ You know what I’m afraid of? That someday, even with my eyes open, I still won’t know.
One of the privileges you have of living the life of an artist and creating your own world and everything is the fact that, in-between times, you can kind of spend them however you want. Because, you know, once you open up your candy store again, you're open for business. And you have to be responsible. You have to be available.
A perfect run has nothing to do with distance. It's when your stride feels comfortable. You're on your toes trying to push it. Suddenly you realize you can open it up a bit more. You know you're at one with yourself and the environment. You're a little more alive than before you started.
Writing for film is so different; it's such an act of submission, both on a monetary and time level, because you basically kind of have to just set everything else aside - it's like suddenly getting a temp job that requires you to work 16-hour days. Also just aesthetically, you have to completely leave all of your ego out of it.
Fear to fear. Be afraid to be afraid. Your worst enemy is within your own bosom. Get to your knees and cry for help, and then rise up saying, 'I will trust, and not be afraid.'
I get the greatest feeling when I'm singing. It's other-worldly. Your feet are anchored into the Earth and into this energy force that comes up through your feet and goes up the top of your head and maybe you're holding hands with the angels or the stars, I have no idea.
Express yourself completely, then keep quiet. Be like the forces of nature: when it blows, there is only wind; when it rains, there is only rain; when the clouds pass, the sun shines through. If you open yourself to the Tao, you are at one with the Tao and you can embody it completely. If you open yourself to insight, you are at one with insight and you can use it completely. If you open yourself to loss, you are at one with loss and you can accept it completely. Open yourself to the Tao, then trust your natural responses; and everything will fall into place.
Strange and mysterious things, though, aren't they - earthquakes? We take it for granted that the earth beneath our feet is solid and stationary. We even talk about people being 'down to earth' or having their feet firmly planted on the ground. But suddenly one day we see that it isn't true. The earth, the boulders, that are supposed to be solid, all of a sudden turn as mushy as liquid - From the short story "Thailand
I'm definitely more at ease with comedy - that's where I started out - and so it's my first love, so to speak, and I have more of a sensibility for it and more familiar with it. Having said that, I also want to be open to everything else.
When we walk like (we are rushing), we print anxiety and sorrow on the earth. We have to walk in a way that we only print peace and serenity on the earth... Be aware of the contact between your feet and the earth. Walk as if you are kissing the earth with your feet.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
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