A Quote by Linda Conrad
Believe it or not, I even love the editing stage. It's something that apparently comes naturally to me.
Related Quotes
Being a stage performer for me, was - to be in front of people was just something that just came very naturally to me. And I love to sing. I love being on stage and I love making people happy, so you just don't walk away from something like that.
The writing is what gives me the joy, especially editing myself for the page, and getting something ready to show to the editors, and then to have a first draft and get it back and work to fix it, I love reworking, I love editing, love love love revision, revision, revision, revision.
I never engage negatively with reviewers. If someone says something that enrages me, I do what I do on stage. I make a joke about myself and move on. Sometimes people say things that are manifestly wrong or even apparently malicious. That's fine, too. It's a response.
Professional humorists and cartoonists have to go through a stage in which they have to kill their own internal editor just so they can get stuff out. So whether they believe it or not, they need me on the other end to do that editing for them.
Editing is fun for me. That's where you make things happen. Filming a movie, I just try to set things up and see where it goes. Editing is a puzzle. I often don't even know what I'm trying to say. I'm just trying to make myself laugh. That's it. It's musical, or something.
I love being on stage if I'm not on a set. If I'm at home, I'm usually in my office editing or reconstructing my website or whatever it may be. I just love putting creativity into a performance.
Teaching regularly has made me an even more adept reader, I think. The kind of teaching I do is more like editing than anything else. The kind of editing book editors used to do before lunch. The kind of editing I used to do as a radio documentary maker.
I love the auditioning process. I love working with the technical guys. I absolutely love the editing room. That was completely fascinating to me, working with an editor in crafting the thing into something you had in your head.
As I apologized to her a flicker of panic raced through me and then faded away. There wasn't enough life left in me to panic. I'd made a mistake and I was dying. Apparently not even a Speck afterlife was available to me. I'd simply stop being. Apparently I hadn't died correctly. Oops.
Believe me, I'm no romantic, and while I've heard all about love at first sight, I've never believed in it, and I still don't. But even so, there was something there, something recognizably real, and I couldn't look away.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
I just love the thrill of performing on stage. I believe that singing is something I was put here to do.
I love dancing, it's something that comes naturally to me.
Working on script development, casting, editing, and music is incredibly inspiring to me, and it's wonderful to see something you love come to life.
I love editing, and I don't mind when things are edited and you can see the editing.
I write first drafts feverishly fast, and then I spend years editing. It's not that sentence-by-sentence perfectionist technique some writers I admire use. I need to see the thing, in some form, and then work with it over and over and over until it makes sense to me - until its concerns approach me, until its themes come to my attention. At that editing stage, the story picks itself and it's just up to me to see it, to find it. If I've done a good job, what it all means will force me to confront it in further edits.
