A Quote by Linda Evangelista

I don't get cast for every job and I understand that. — © Linda Evangelista
I don't get cast for every job and I understand that.
Every job is a blessing. Everyone has to take into account what is available. Are you paying rent, who do you get to work with? There are a lot of variables in the job. What I'm drawn to is things that I don't completely understand maybe, and want to get a better feel for it.
Every time you enter into a job it's a whole new universe. There's a new language with a new power structure. If you are in an all Black cast its a different dynamic, the same with an all male cast or a crew that is mainly women.
My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew. The people that I spend almost every hour of every day with. Your cast has great influence over the quality of your life, and I've been blessed with not just a cast, but a family.
Directors are the captains of the ship, and it's your job as the lead actor to make sure that the rest of the cast understand that by doing whatever he says.
You get thought of in terms of your last job. So if my last job is that of a meat cleaver-wielding character, I will hardly be cast as some benign, older gentleman.
I've been in this struggle for many years now. I understand racism. I understand that there are a lot of people in this country who don't care about the problems of the inner city. We have to fight every day that we get up for every little thing that we get. And so I keep struggling.
Every last cast is actually a first cast. The first cast and first chance to catch the next fish. The next time you anguish about whether to make that last cast, forget it - the anguish that is - and cast away. The next fish caught on a last cast will not be the first.
Outside the ring, I am Gennady, but when I get in, I am Triple G: I become a different guy. I don't know how I switch, but I understand my job, I understand the situation, and I understand my business.
That's my father's theme. Get up in the morning, 'hello, Dad.' 'Get a job, leave the food alone... Who took my car?' America, you young kids, get a job. All that sagging, the clothes hanging behind, that ain't nothing. Get a job. You want to be somebody, get a job.
I didn't want wrestling anymore; I wanted to not want it. But I couldn't get a job anywhere, which was part of the reason I was homeless. I couldn't get a job pumping gas. I couldn't get a job working at a warehouse, I couldn't get a job at Baskin Robbins, I couldn't get a job anywhere.
Every drama requires a cast. The cast may be so huge, as in Leo Tolstoy's 'Anna Karenina,' that the author or editor provides a list of characters to keep them straight. Or it may be an intimate cast of two.
I didn't have a job because nobody would hire me. My friends were getting hired, and I couldn't even get a job interview. That really rocked my self-esteem because I didn't understand what I did wrong on those job applications.
When I came to America I thought, 'Wouldn't it be awesome to get into one movie?' And then I get cast in 'Bridesmaids' as my first job here and it's such a huge movie.
My job is to make sure that if you're a family in Florida, your children can get a good education and you have the opportunity for a job. That's my job and that's what I think about every day.
Today, presence on social media has become a yardstick to be cast - the parameter to get a job.
I get up every morning the same as everyone else, and scratch my head and just get on with the job. Whatever that job may be.
This site uses cookies to ensure you get the best experience. More info...
Got it!