A Quote by Lisa Cholodenko

Making the choice to cast someone in a lead role is a big one. You don't want to squander your opportunity. — © Lisa Cholodenko
Making the choice to cast someone in a lead role is a big one. You don't want to squander your opportunity.
Better to have a small role in God's story than to cast yourself as the lead in your own fiction.
There's not millions of dollars riding behind something - so I think a lot of people took chances on me and cast me in roles in Chicago that I never would have gotten cast in possibly if I had come to New York right away. I got to be the not-your-typical-choice for a role.
When someone important to you, someone that's played a big role in your life, when they're gone... When you write about them or pay tribute to them, you want to do it in a way that's thoughtful.
If they're going to cast one person and not another, it's not rejection of your talent, it's just that they want one person and not someone else. As an actor, unfortunately, it's not your job to cast the movie.
As an actor, every opportunity, every role, everything that I do is an opportunity to have someone have a human experience with my work. I don't just want it to be about a cute wardrobe and a high paycheck.
Some actors have to make a choice. If they have the opportunity to become these huge megastars, making millions and millions of dollars and have to live a lie, that's a choice they have to make. Not that I would ever be a big star, but I just had to live my life the way I saw fit.
When I'm given an opportunity with music and goodness, then I want to do that [play that role]. I want to go all the way to the edge of that and make it as big as I can.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
People look upon a person in TV as someone they can see for nothing. This is carried over in casting pictures. They're afraid; they will not cast a TV lead to be a lead in a movie.
If you cast your supporting cast well, it should be seamless. You shouldn't even notice who's a big part and who's a small part. A good cast enriches everything.
Ideally, really ideally, you want to get to a place where you can have creative control over the material you do - choices, at least, anyway. And you want your choice of script and role. But do you really want your life to revolve around trying to maintain your privacy?
Right before 'Brian's Song' there was a period when I was very despondent, broke, depressed; my first marriage was on the rocks. The role of Gale Sayers had been cast with Lou Gossett, and then he hurt himself playing basketball. I was called in to read for the role. I was their last choice, and I knew it.
If you want someone to show up and help you if something bad happens, you'd better tell someone where you're going. And of course I wanted someone to know - but I'd made a choice and it was a choice I was going to have to live with.
We've been very patient over the years but this is a once-in-a-lifetime opportunity to reset the rules for the River Murray and we're determined not to squander that opportunity.
You a role model by way of someone will model after your role. They'll model themselves after what they perceive is success. That doesn't mean they take your morality and virtue seriously. They want what you want, and they're willing to do what you do to get it.
Once you turn pro and you're making the big money and kids are buying your sneakers and your skates and your gloves and so on, you are a member of that role model club.
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