A Quote by Lisa Cholodenko

I think when you're writing films that just come fresh out of your own imagination - I think probably anyone who's done that, there are certain themes or styles. — © Lisa Cholodenko
I think when you're writing films that just come fresh out of your own imagination - I think probably anyone who's done that, there are certain themes or styles.
There's a level where the themes of a film are very relevant to me and also the idea of finding out how relevant one genre is to another. I think that westerns and samurai films and superhero films have a lot in common. It's just that the scale of the visuals in tentpole films can sometimes overwhelm the drama.
When it comes to fashion, I'm just inspired by anyone who has their own flair or piece on anything. I love originality. I love when people bring some bold and don't do what's been done or being done. I don't think I have anyone in particular. Just anyone who's original really inspires me.
I think fatalism and redemption are themes that help a reader organize and eventually "own" a story or character. Writing them, I just want them to be real, and in reality I don't think events are thematic until in retrospect, if ever.
Understand that writing is like an athletic activity. To play tennis well, you expect to keep practicing, but for some reason with writing, you think you should come out fresh the first time.
I respect Malayalam films the same way I respect Bengali films. I think Malayalam films have not compromised on the essence and have kept their own statement and are coming up with very good themes.
I've never had to search for themes. My films just come naturally out of my interest.
On one hand, I kind of feel like I have unlimited options right now, and obviously that's not technically true, but when you're at this place where you're just kind of dreaming up stuff, your imagination is your limit. That's where I'm at, which is great, but ultimately I think you have to make these decisions to close off some options to yourself. I think things only get done when you say, "This is the one thing I'm doing," and you kind of kill the other ones in the meantime. So I haven't done that yet, I've got to figure that out.
Themes don't change very much in story telling, and I think each writer has his or her own territory; however, I think craft and style take a lot of time to develop. I don't think there's any other way to develop your own style without reading your betters.
I don't think there will be another Ghostbusters. I think we're all too old to do it. I think we've done it a couple times and there is not that much to get out of it, to do that would be fresh in it.
I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.
You want to think about certain styles of music as being reflective of a certain culture or a certain time or a point of view. You don't want it to be just an intellectual exercise.
When anyone calls you out for something you have done in your life and you're just on a journey to be authentic, to live in your own skin better, man, it makes you feel extremely special. I think that any time you're making huge steps in your life - I always say I need lots of hugs to feel special.
Writing doesn't come easily to anyone, I think, certainly not to me. But pressure and practice does lend a certain fluency, I think - the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.
I think in all cultural organizations there has to be renewal. I'm also of a certain age that someone new can come in with a breath of fresh air. Things change, and I think that's important.
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
I think it's fun to play with worlds that you can add a lot of your own imagination to. With 'True Blood,' you're not limited by anything, there are just leaps and bounds of the imagination you can take with these characters.
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