A Quote by Lisa Joy
What does the future of 'Westworld' look like? I don't necessarily think that we've seen the last of these artificial worlds that are central to the concept of our series as a whole. But the major lens that we will have is going to be the real world.
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Today, the reason we haven't found our grail, the key to who we are as women, is because we look for it in worlds of false power, the very worlds that took it away from us in the first place. Neither men nor work can restore our lost scepter. Nothing in this world can take us home. Only the radar in our hearts can do that, and when it does, ... 'We will light up like lamps, and the world will never be the same again.'
I'm not like a real person. I love being artificial. I think there's a little magic in the fact that I'm so totally real, but look so artificial at the same time.
I think it's going to be remembered as the last major war on planet Earth, if we're lucky, if we maintain our foreign policy properly. It will be remembered as the last time major countries had to put people in the field and put them in harm's way. It may be the last of all human nature wars, which is a nice way to remember any kind of a war, as the last one.
I think that prog rock is the science fiction of music. Science fiction speculates on what the future might be and look like and how we'll get there, and yet there's always a central theme of humanity, or there should be. Progressive rock has the same concept of exploration into the parts of the music world that hasn't been explored.
Real is a contentious word. What can be considered real and or verified does not necessarily mean that it is recognized or acknowledged on a micro or macro level. There are many different ways to interrogate or locate a subject. One should take into account the lens by which we think of the idea of a subject.
I think people's minds are going to have to assimilate in the sense that all the world is international now. The whole world has gone global. I think cities like San Francisco and Los Angeles are the models of our future.
I've always written towards movies that take place across two worlds. Most of the movies that I've worked on take place in two worlds, or sometimes three worlds, where you have a normal world and a fantasy world that mix and overlap. I never shy away from the series stuff in the real world. Big Fish is about mortality.
Photography is an investigation of both the outer and the inner worlds. The first experiences with the camera involve looking at the world beyond the lens, trusting the instrument will 'capture' something 'seen.' The terms shoot and take are not accidental; they represent an attitude of conquest and appropriation. Only when the photographer grows into perception and creative impulse does the term make define a condition of empathy between the external and the internal events.
I think just as armament had a major impact of a negative kind in the world, education is something which has a major impact of a positive kind in the world. And I think the American population, with its humanity and with its concern about the future of the world, has a real reason to think about what it can do to help the world in expanding education.
Yes, Brazil, like the whole world, stands to lose a lot in a climate-altered world. But it's also one of the major forces determining our future: It's the home of most of the Amazon rain forest.
All our language about the future ... is like a set of signposts pointing into a bright mist ... the New Testament image of the future hope of the whole cosmos, grounded in the resurrection of Jesus, gives as coherent a picture as we need or could have of the future that is promised to the whole world, a future in which, under the sovereign and wise rule of the creator God, decay and death will be done away with and a new creation born, to which the present one will stand as mother to child.
There are only two worlds - your world, which is the real world, and other worlds, the fantasy. Worlds like this are worlds of the human imagination: their reality, or lack of reality, is not important. What is important is that they are there. these worlds provide an alternative. Provide an escape. Provide a threat. Provide a dream, and power; provide refuge, and pain. They give your world meaning. They do not exist; and thus they are all that matters.
Acting is, to me now, artificial. Seeing people suffer is real. It couldn't be more real. Some people don't like to look at it in the face because it's painful. But if nobody does, then nothing gets done.
We want to take our time with 'Descender' and let the story unfold at its own pace. But we have carefully planned each world and worked to give each its own look and feel. And each of the 9 core worlds will play a role in the series.
Within the next five years, I predict major changes in the art world and it will look nothing like it did ten years ago. Just like the sport of skateboarding, the new innovators will define the future. I believe the art world will become more vibrant and usher in a strong healthy market for new works.
But we are such deceivers that we will not look at ourselves in relationship, because there the real face can be seen. So we close our eyes to relationship, and we go on thinking that something is going to be seen inside. You cannot see anything inside.
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