A Quote by Lisa Joy
I represent opportunities for other women and other people of color, and I'm trying to start my own kind of movement.
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You have to join every other movement for the freedom of people. Therefore join the movement as individuals against anti-Semitism, join the movements for the rights of Hispanics, the rights of women, the rights of gays. In other words, I think that each movement has to stand on its own feet because it has a particular agenda, but it can ask other people.
Because of the men in charge of this system, they've created this caste system for women that gives some of the women in higher places a false sense of authority. You have women who are able to just look at other women and from the color of the clothes they are wearing and they can know how they're supposed to interact with each other. It's a really horrible thing but genius in a way to pit them against each other because once you are, there is no community anymore. There is just people trying to keep each other down.
Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.
Oftentimes, as women and women of color, we are put as supporting characters in other people's narratives. With 'Jessica James', she is the star of her own narrative.
Here's the thing... when people start making music, they start borrowing styles from other people, because that's what you do. You start by recreating hip-hop beats you've heard from other people, or you start mimicking other people, or you're just listening to stuff.
There are many, many different kinds of intersectional exclusions - not just black women but other women of color. Not just people of color, but people with disabilities. Immigrants. LGBTQ people. Indigenous people.
When the women's movement began, it was a middle-class phenomenon. Certainly, black women had other stuff to think about in the '60s besides a women's movement. Working-class women were slow to get into it.
People have to follow their own strangeness. The minute they start making their own vision of the world flattened out so everyone can read it, they lose. I encourage people to be as awkward and odd on the page to capture their own way of seeing the world and not trying to see the world for other people.
Female directors really do need to support each other. Too many times I've been led to believe that my direct competition was other women, as if there can be only a handful of successful female filmmakers a year. That conversation, that perception, needs to change. Women are the people who have helped me make films I love, and I want to be that kind of strength to other women.
A lot of people who are in charge in Hollywood are women, so they have the power. Now, I've met a lot of these amazing women who are offering opportunities to other women, and they're awesome. But for the women who maybe haven't done that yet, it's like, why?
I want to support other women because of the opportunities I've had - and I've had a lot of opportunities. What I try as a female director is to do the best job I can and, in the meantime, bring attention to as many other female directors and writers as I can.
There's this perception that there's a pipeline problem for women and people of color. I don't buy into that. I think we have a broken doorbell problem, and there are plenty of women and people of color standing at the doorstep trying to get in the door, and nobody's opening it.
The moment you start thinking about what other people and other artists think, you're going to start writing like other people.
I think everybody is different. We are trying to be ourselves, and other people are trying to be themselves. We all share commonalities with each other, but all of us have different thumbprints. We all have our own unique things.
Anytime you share life stories with other people, you know, you are acknowledging their humanity and kind of accessing some things about yourself, and other people start to expect things about themselves. It's kind of like a fellowship.
I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.
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