A Quote by Lisa Joy

Our memories, the way we tend to experience them, are sort of fuzzy around the edges, like a watercolor that has bled into the past and is not totally clear. — © Lisa Joy
Our memories, the way we tend to experience them, are sort of fuzzy around the edges, like a watercolor that has bled into the past and is not totally clear.
I like to bring a certain sense of humanity and detail to my work, and watercolor allows me to do that. I have fascination and wonder about the line and transparent quality or properties in watercolor. I use watercolor to give voice to what I would like to talk about.
I've never listened to an audiobook before, and I have to say it's a totally different experience. When you read a book, the story definitely takes place in your head. When you listen, it seems to happen in a little cloud all around it, like a fuzzy knit cap pulled down over your eyes
I don't see how it's doing society any good to have so many members walking around with vague memories of algebraic formulas and geometric diagrams and clear memories of hating them.
History does influence our lives - every moment. We never sort of live our lives in a linear fashion. We always have these memories and these images from our past that sometimes we're not even aware of, and they sort of shape who we are.
History does influence our lives - every moment. We never sort of live our lives in a linear fashion. We always have these memories and these images from our past that sometimes were not even aware of, and they sort of shape who we are.
Remembering our past, carrying it around with us always, may be the necessary requirement for maintaining, as they say, the wholeness of the self. To ensure that the self doesn’t shrink, to see that it holds on to its volume, memories have to be watered like potted flowers, and the watering calls for regular contact with the witnesses of the past, that is to say, with friends. They are our mirror; our memory; we ask nothing of them but that they polish the mirror from time to time so we can look at ourselves in it.
We think that the world is limited and explained by its past. We tend to think that what happened in the past determines what is going to happen next, and we do not see that it is exactly the other way around! What is always the source of the world is the present; the past doesn't explain a thing. The past trails behind the present like the wake of a ship and eventually disappears.
The past went that-a-way. When faced with a totally new situation, we tend always to attach ourselves to the objects, to the flavor of the most recent past. We look at the present through a rear view mirror. We march backwards into the future.
To me, that's where memories are very interesting because what happens when we start losing memories? What happens when you can't take your memories with you? Who are we without our memories, without our past?
If it is the case that our activities depend on how we ourselves see them, what we believe about them, then if we have crazy, fuzzy ideas about teaching, we will be likely to do crazy and fuzzy things in its name.
At first I wasn’t all that tempted by him, but then he killed the spider. Which was a huge point in his favor.” “Absolutely. I love men who kill bugs.” “And then when I was freaking out and couldn’t breathe, he was so…gentle.” Zoe sighed and colored, remembering. “He was holding me, and talking to me in that voice…you know, sort of low and rough around the edges…” “All the Nolans sound like that,” Justine said reflectively. “Like they’ve got a mild case of bronchitis. Totally hot.
Our memories are our own, and we cannot blame anything or anyone in the past for any pain dwelling there. If we open the door to them or keep hashing over past incidents in our minds, we have only ourselves to blame.
"Summer Sisters" was actually was a huge influence on "Girls" because it was the first thing I ever consumed that sort of looked at the way that female friendship can be glorious and can be complicated and can be so like a worse betrayal than something romantic and it just showed these archetypes of femininity than totally sort of individuated them and exploded them.
We bled writing these songs, we bled in the studio, and now we're out bleeding getting them right live.
Food is an excellent way to do very elegant worldbuilding - the kind that can make a fictional world seem real, like it extends way past the edges of the frame.
And as Craig Brown - he's an English humorist, not a comedian but he's just a writer and humorist - I'm quite a fan of. I heard him talking in a rather similar way on the radio. He said I'm the sort of person - I can't remember exactly what he said, but it was rather interesting - he said I'm the sort of person that can be reduced to tears in an empty church and feel like I'm the CEO of the Devil's organization in a full one, and I tend to feel like that as well. I love empty churches and going into them looking around, but I'm not a churchgoer at all.
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