A Quote by Lisa Joy

In a film, you only have a finite amount of time, and you're so concerned with saying what happened and making it a gripping short story with a satisfying ending. — © Lisa Joy
In a film, you only have a finite amount of time, and you're so concerned with saying what happened and making it a gripping short story with a satisfying ending.
The core plot of 'Mercury' is so gripping that when I thought of making it as a silent film, it only made it more interesting. Once I finished writing the first draft, making a silent film that's both thrilling and engaging seemed possible. When the film team read the final script, they felt the same.
We have a finite amount of time. Whether short or long, it doesn't matter. Life is to be lived.
Writing a song isn't that hard. Writing a good song is difficult. Let's face it, we're faced with taking a complex feeling or event, making words rhyme and saying exactly what we want them to say in a short amount of time. ...the primary reason for keeping it short and to the point is to be certain that you're not boring your audience.
There's a finite amount of time on this planet for each of us. Sometimes, the only way we figure out how to deal with that reality - knowing that there will be an end to every story, and you don't know how many chapters are left in your book - is by living in denial.
I made a lot of short films before making a feature film. Actually, I learnt film-making by making short films.
Short stories are designed to deliver their impact in as few pages as possible. A tremendous amount is left out, and a good short story writer learns to include only the most essential information.
It's difficult to write a really good short story because it must be a complete and finished reflection of life with only a few words to use as tools. There isn't time for bad writing in a short story.
Since I was 20, I wanted to make a short film and send it to international short film festivals. It never happened. I became too big a star to indulge in those things.
The only time you do not get nervous is when you are making your first film. At that time, just the joy of making a movie is so high that you do not care; you are happy to have finally made it. It is only later that you want your film to be seen and appreciated by people.
Well I'm Superman, just not action. I'm kind of looking for something with a lot less action and more talking and listening. I also have a film that's premiering Vegas Film Festival, short film, directed by Joel Kelly, it's called Denial and it's a story, short film, 35 mm short film and it's about a man's struggle to choose between the woman of his dreams and his reality, so it's definitely different than Superman. So I'm really proud of that.
Truth is a pursuit, it's a quest. And proof is certainly in the pudding in this particular instance, because the film, and the evidence accumulated in making the film, led to this man's release from prison. And that's hardly ever happened, if it's happened at all, in any other film that I can think of.
Tell me a story, Pew. What kind of story, child? A story with a happy ending. There’s no such thing in all the world. As a happy ending? As an ending.
Making movies is like a circus. You get together for a finite amount of time and you build the most extravagant thing you can, which requires teamwork. Most people don't know, but when you see something on screen, it looks perfect. If you go behind the scenes, things are very archaic. You only see the front of the building, not the back.
I had directed a short film called 'Girvhi' earlier, on child labour. It was a fictional story. At that time, I realised I could direct a film if given a chance.
We each have a finite number of heartbeats, a finite amount of time. But we have enough heartbeats and enough time to do what is important.
- the only difference between a happy ending and a sad ending is where you decide the story ends.
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