A Quote by Lisa Lampanelli

I can really serve the audience instead of making this about me and about serving myself and my pocketbook. — © Lisa Lampanelli
I can really serve the audience instead of making this about me and about serving myself and my pocketbook.
When I was younger, all I cared about was what people thought of me and my films. Now I care less about catering, hand-serving, hand-feeding the audience. I've gotten to the point now in my life where I'm serving myself.
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.
When I was being honest with myself, I had to own that there was something about me that was drawing an energy in my life that left me feeling underserved and unfulfilled. I decided to grow. I decided to purge myself of anyone and anything that was not full of goodness, serving me or making me happy.
Stewarding my time is not about selfishly pursuing only the things I like to do. It’s about effectively serving others in the ways I’m best able to serve and in the ways I am most uniquely called to serve.
There is a way hook ups are serving young women. And it was important for me to always talk about how behaviours were serving girls, not just making them the victims.
If I make assumptions about the audience and start overthinking things, I can drive myself crazy about how the audience perceives me. I try not to do that anymore.
Get into "the state:" Conquer fear by stopping thinking about yourself and instead, focusing 100 percent on how you can best serve your audience.
I never really thought of myself as a musician. I'm not saying Sonic Youth was a conceptual-art project for me, but in a way, it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.
I lied about serving in Vietnam, and I'm sorry. I did not mean to take away from the actions and the sacrifices of the ones who did really serve there... I did steal valor. That was very wrong of me. There is no real excuse for that.
To talk about photos rather than making them seems idiotic to me. It's as though I went on and on about a woman I adored instead of making love to her.
There is, in fact, a paradox about working to serve the community, and it is this: that to aim directly at serving the community is to falsify the work; the only way to serve the community is to forget the community and serve the work.
I always try to have a positive and warm intention that is not about me. It is easy to make everything about yourself. But you take the weight off when we make it about the audience. It's about the joy you can bring to somebody else instead of the joy that you get from doing it.
I think plot is very overrated. Plot is obviously necessary, but what I really care about is emotionally affecting the audience. Having a thought myself and then an emotional experience myself, somehow transferring that to the audience.
I don't really think about the audience much. I think of myself. Let me dig myself out of that one.
For me, stand-up comedy is a conversation between me and the audience. I have to keep them listening. When I'm making jokes about cake for twenty minutes, I have to make sure my audience is interested and following where I'm going.
This site uses cookies to ensure you get the best experience. More info...
Got it!