A Quote by Livy
Fortune blinds men when she does not wish them to withstand the violence of her onslaughts.
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America has many glories. The last one that she would wish to surrender is the glory of the men who have served her in war. While such devotion lives, the nation is secure. Whatever dangers may threaten from within or without, she can view them calmly. Turning to her veterans, she can say: 'These are our defenders. They are invincible. In them is our safety.'
War proves nothing. To kill a man does not prove that he was in the wrong. Bloodletting cannot change men's spirits, neither can the evil of men's thoughts be driven out by blows. If I go to my neighbor's house, and break her furniture, and smash her pictures, and bind her children captive, it does not prove that I am fitter to live than she - yet according to ethics of nations it does. I have conquered her and she must pay me for my trouble; and her house and all that is left in it belongs to my heirs and successors, forever. That is war!
There is no one, says another, whom fortune does not visit once in his life; but when she does not find him ready to receive her, she walks in at the door, and flies out at the window.
Fortune is not only blind herself, but blinds the people she has embraced.
She suffers as a miser. She must be miserly with her pleasures, as well. I wonder if sometimes she doesn't wish she were free of this monotonous sorrow, of these mutterings which start as soon as she stops singing, if she doesn't wish to suffer once and for all, to drown herself in despair. In any case, it would be impossible for her: she is bound.
The new female is not limited in any way. She yearns to give the gifts she was born to give, and she does what is necessary to give them. Where her heart leads, she goes. No one defines her role for her. She is on a spiritual journey. Authentic Power is her destination.
Is O used by René and Sir Stephen, or does she in fact use them, and...all those irons and chains and obligatory debauchery, to fulfill her own dream-that is, her own destruction and death? And, in some surreptitious way, isn't she in charge of them? Doesn't she bend them to her will?
The reality was that while they might have eternity, there was violence on the horizon. And in the present. She wasn't intending on ignoring it. She couldn't. But she wasn't going to ignore them either. Just kiss me, ---.” A look of hesitation crossed his face, but he didn't push her away. He swept her legs from under her and lifted her into his arms. " -Darkest Mercy (p 28)
If the agency of the mother in forming the character of her children is, in truth, so considerable, as I think it - if she does so much toward making her son what she would wish him to be - how essential is it that she should be fitted for the beneficial performance of these important duties.
Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken.
The question, 'Why does she stay?' is code for some people for, 'It's her fault for staying,' as if [domestic violence] victims intentionally choose to fall in love with men intent upon destroying us.
I read a lot by female psychoanalyst Lou Andreas-Salomé, who wrote prominent biographies of Nietzsche, Rilke, and Freud because she studied with all of them. She had this unbelievable insight into contemporary psychoanalysis. What is so interesting is that she wrote her life, and she knew that her life would be about these men, and it didn't stop her from leading an incredibly successful academic career. But her strange self-awareness that she was going to bookmark these men's lives is really interesting to me.
Jane Austen has often been praised as a natural historian. She is a naturalist among tame animals. She does not study men (as Dostoevsky does) in his wild state before he has been domesticated. Her men and women are essentially men and women of the fireside.
Let us sit and mock the good housewife Fortune from her wheel, that her gifts may henceforth be bestowed equally, I would we could do so for her benefits are mightily misplaced and the bountiful blind girl doth most mistake in her gifts to women. 'Tis true for those that she makes fair she scarce makes honest and those that she makes honest she makes very ill-favouredly. Nay, now thou goest from Fortunes office to Natures. Fortune reigns in gifts of the world, not in the lineaments of Nature.
But to the slave mother New Year's day comes laden with peculiar sorrows. She sits on her cold cabin floor, watching the children who may all be torn from her the next morning; and often does she wish that she and they might die before the day dawns.
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