A Quote by Liza Soberano

If I were to do a solo movie, I'd like to try another genre so that people can see another side of me, since I've been doing mostly rom-coms and drama. — © Liza Soberano
If I were to do a solo movie, I'd like to try another genre so that people can see another side of me, since I've been doing mostly rom-coms and drama.
I, for one, personally like rom-coms, silly rom-coms, but at the same time, I also want to watch a documentary or an award-winning drama.
I love rom-coms, and I was bummed that they sort of stopped making them around the time I was old enough to be in them. But at the same time, I so respected the fact that the genre kind of needed an update. But you know, even when rom-coms were at their hey-day, very few people did it at the level of Nancy Meyers.
I'm perfectly happy to have the reputation as a comedian. I love comedies, I would love to be doing more comedies. But I also feel like I hit the limit on playing the girlfriend type in a lot of rom-coms that aren't actually rom-coms, but guy movies that happen to have girls in them.
I feel like a lot of people talk about in rom-coms, there's the female best friend. There's all those archetypes in rom-coms. But even among a movie about man-children hanging out, there is always the one who's often the fat one, often the one with the beard, who is like the man-childest of them all. He's the one that eventually meets the fat girl or the quirky girl of the girl group of friends and really hits it off.
I do have a soft corner for rom-coms, but at the same time, I like drama, too.
Rom-coms have been one of my favorite genres of movies since I can remember. My favorite movie of all-time is 'Four Weddings and a Funeral,' and then 'When Harry Met Sally,' and 'Annie Hall' is top five.
One of the things that 'Love, Simon' is doing that hasn't been done before is it's a gay teen rom-com with a mainstream wide release and the backing of a studio that previous gay rom-coms have not had. I'm really excited by that.
I definitely have that bug; I'd really like to do some auteur, existential pieces, darker films, something that's really reflective of life. But I also love the genre of rom-coms, and I don't see myself completely detaching from that.
The genre I listen to the most is salsa, so people look at me and see this guy who's done mostly romantic ballads, but there's always been this other side.
I am a little wary of entering another situation where I would just be another director for hire and I've been doing this in one form or another since I was twenty-two doing documentaries for PBS and HBO.
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
The chances are you've never seen the other side of me. You've seen the event side of me when I'm on stage. But there is another side of me. If you evoke that side, you won't like it. It's a nasty side. You don't want to see that side. You're not missing anything by not seeing it.
Besides, we weren't made to battle villains, because there weren't any. No nation, creed, or race was any better or worse than another; all were flawed, all were equally doomed to suffering, mostly because they couldn't see that they were all alike. Mortals might have been contemptible, true, but not evil entirely. They did enjoy killing one another and frequently came up with ingenious excuses for doing so on a grand scale-religions, economic theories, ethnic pride-but we couldn't condemn them for it, as it was in their mortal natures and they were too stupid to know any better.
With both Caddyshack and Vacation, it's not like the subjects were serious enough that they engaged my interest for another round. I love the characters, and the actors were great, but I didn't see the need to make another Vacation movie.
If you're doing a family movie, you don't want it to be stupid. Farting chihuahuas is not my idea of entertainment for kids or adults. So you try to make a movie that adults can see on one level, and kids can see on another.
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