A Quote by Lloyd Kaufman
The person who goes to the Troma movie knows that he or she may love the Troma movie or, he or she may hate the Troma movie; but the movie goer knows that he or she will never forget the Troma movie.
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Moana is such an amazing character. She's brave; she is so empowered. She knows what she wants, and she's not afraid to get it, and I think that's something that I can relate to as well. I just love watching how she goes along in this wonderful movie and grows as a person and helps her culture along the way.
My mother saw a movie when she was 14 years old. I forget the name of the movie, but one of the lead characters was named Lark. She decided then she would name me and she stuck to it, and here I am.
Blair liked to think of herself as a hopeless romantic in the style of old movie actresses like Audrey Hepburn and Marilyn Monroe. She was always coming up with plot devices for the movie she was starring in at the moment, the movie that was her life.
The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, "I want to do a horror movie." And she goes, "What's it going to be about?" And I said, "A lot of blood and high heels."
Then you have these people in the movie theaters that talk the whole time during the movie. You ever go with somebody like that to a movie but you don't realize until you get there that you're with somebody like that? Brand new movie. First day it's open. You're there together and the entire time they're sitting there: Where's she going? Why'd he do that? Is he mad at her? I don't know, let's watch and find out together shall we? You know who you are. You're denying it right now: I do not do that. Why is she saying that?. What's she gonna say next?
Brittany Murphy... who knows if she's going to be around. Kirsten Dunst, I think she's really boring. Reese Witherspoon? She can open a movie.
I don't like, speaking about the movie, if I may say couple more words, I like a movie that doesn't drag too much, unless it's purpose. I like a movie with an action with a certain pace. If it's too monotone, I hate it. No, I don't hate it, I just don't like it, period.
I did this movie called 'Their Eyes Were Watching God,' and I was an extra, and it was a movie that Oprah was producing. She had walked by, and I was making all the other extras laugh, and she said, 'You're a very funny young lady.' I was like, 'Eeeee!'
This movie 'On the Road' with Kristen Stewart - they were trying to make that movie for 30 years. She says she wants to do it, and they can finally make it. You have so much at your disposal if you're in a successful commercial film.
Every movie you're going to forget that it's 3D whether it's widescreen or whatever it is, you're going to forget everything if the movie is working. If the movie doesn't work or if the movie generically doesn't work then immediately you start to pick apart whatever has contributed to that.
In the sense that Watchmen references movies, comic books, pop culture in general. It knows it's a movie. I really do like movies that ride that fine line, the razor's edge between parody and supporting the fake movie part of the movie.
As Uta Hagen would say, there's the representational actor and the presentational actor. My sister [Maggie Gyllenhaal] came up to me recently after she saw this movie, Southpaw, the movie I did, and she thought there was this exploration of that type of presentation, and a bit of representation as well, if I could be totally honest, where she was deeply moved.
A good movie is a movie that you could see over and over again, not a movie that wins a Oscar, or a movie that makes a lot of money. It's a movie that you personally can watch over and over again. That, to me, is a measure of a good movie.
The first thing I ever thought of when I thought of Buffy , the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise ... genre-busting is very much at the heart of both the movie and the series.
In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.
I would like to have a movie under my own control sometime, and see what could be done with it. Who knows? Maybe Hollywood will make an improvisational movie someday.
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