A Quote by Lloyd Kaufman
The first time I took acid, I made the decision that I would stay in New York and find an independent film company to get a job with.
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The reason I took Early Edition - besides the fact that I liked it - was that it enabled me to start a production company in New York City. It's a low-budget film company to produce and direct movies.
I took part in a theatre festival in Massachusetts two summers after I graduated from college. Then I was in Los Angeles thinking: "I'm going to go to New York." I'd decided that I would not have a chance of a film career, so I was about to make the move. I bought a plane ticket and found a place to live in New York, packed my bags and of course the universe "told me" that I was not meant to go. Suddenly, a week before I was supposed to leave, I had three job offers and one of them was my first movie.
I do all I can to maintain good health. I eat mostly plants, as Michael Pollan would say. I get a lot of exercise. I lead a purposeful daily life. I stay current with the dentist. I made the formative decision of where to live over thirty years ago when I settled in a 'main street' small town in upstate New York.
I made the decision to come back to New York, quit my job and move to Paris.
I would stay two years in San Francisco, then move to New York in the summer of 1991, for the love of a man who lived there. When I arrived in New York, I had a job waiting for me, courtesy of a bookstore I'd worked at in San Francisco, A Different Light. They had a New York store as well, and arranged an employee transfer.
I came over here with $100; it was 1983 and I just ended up staying. New York at that time was very inexpensive and it was very easy to get a job. We lived on Staten Island and you could get cheap rent. It was a good time to be in New York.
I used to run away to New York from Baltimore all the time. I would get on the Greyhound bus and tell my parents I was going to some sorority weekend... I'd even make up fake permission slips, come to New York, and just ask people on the street if I could stay with them and go see midnight movies.
I used to run away to New York from Baltimore all the time.I would get on the Greyhound bus and tell my parents I was going to some sorority weekend. I'd even make up fake permission slips, come to New York and just ask people on the street if I could stay with them and go see midnight movies.
I see a New York where there is no barrier to the God-given potential of every New Yorker. I see a New York where everyone who wants a good job can find one. I see a New York where the people can believe in a grounded government again.
I always tell people when it's time to make a decision to stay or go [at a job], if it's a difficult decision, you should stay. If it's an easy decision, you should go.
I had in effect been thrown out of graduate school because I was a lousy graduate student, and I had to find a job, and I took the first job that came along. It happened to be a management trainee job in a life insurance company, and I just stayed. It was always, mainly, the idea was that I would support myself as a writer, and I knew I would have to have some sort of work, and it didn't make a whole lot of difference to me what it was. I mean, I could have been a paper hanger or something for that matter.
My parents were very humanistic, but where we lived was not the cultural center of the world. Hardly. So I came to New York for two reasons: to find my own kin and also to get a job. And that's what I came to New York for in '67.
First time I ever took acid and got really high, as I was walking around I thought "Gee. The world looked like this when I was a little kid." I remember seeing the sparkling reality and three-dimensionality of things. Sort of like a renewal, every time you do it is a renewal, it is a renewal. It keeps your head young. It lets you keep that being able to accept the new thing just as easily as a kid would. Most people get all this stuff in their head like an old library, no room for the new volume to go on the shelves.
I never wanted to be a reporter. I took a job at the New York Post as a clerk because I couldn't get a job in magazines, which is what I really wanted to do.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
Most of my life, I thought that I would end up a novelist. But then, in New York City, after college, I started a company with a college friend where we made documentary video for museums. In that capacity, I shot, directed, edited and began to learn the vocabulary of film.
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