A Quote by Lloyd Kaufman
The dean of the American Film Institute has written that I'm one of the very few auteurs in America. I've had freedom for 40 years to create art that is totally personal and is what I believe in.
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I graduated from the American Film Institute in 2010, where I studied as a director, and came out with a few features I really wanted to make.
Public schools helped create the idea of America and inculcate Americans with a few rudiments of knowledge. To judge by that very American item, the Internet, a few rudiments is all anyone cares to have.
I got into film acting because I wanted to be James Dean. We lost him at a very young age - he was only 24 - but I’m 51 going on 52, so there's only so many times you can act like James Dean. I had to find new ways of expressing myself that kept me fascinated with film performance.
When I entered the industry in the early 1970s, I was a gold medalist from the film institute, Pune. That was when graduates from the film institute were very quickly absorbed by the mainstream commercial industry.
It's certainly not too late to change to the winning side. But you know, you also have the freedom to stay just where you are. That's what it means to be an American. That's the miracle of America. Freedom to believe means the freedom to believe the wrong thing, after all. Just as freedom of speech gives you the right to stay silent.
Jack Sturtzer, one of my cousins, had gone to art school and suggested that I might be interested in a private school called the Art Institute of Buffalo, and in fact that is what happened. So upon graduation in 1948, I then went to stay with my cousins on Seventeenth Street and enrolled in the program at the Art Institute on Elmwood Avenue.
Deindustrialization that I have written about for 40 years left a good part of the American public behind.
Believe it or not, there were very few books on art, years ago.
When I went off to the army when I was 17 years old, I believed in America and the rights of freedom. But today I believe my government is lying to the American people and that my president, George Bush, is a criminal.
I would not describe myself as a political writer except in the sense that the personal is political, which is something that I do strongly believe. And in that sense American Gods is a very personal novel and a political novel. I was trying to describe the experience of coming to America as an immigrant, the experience of watching the way that America tends to eat other cultures.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
It's funny how film is the slowest art form to adapt to freedom. It's had freedom all along. It could've done whatever it wanted to. You know the same freedom that do-it-yourself punk and post-punk musicians had in the late 70s and ever since. That's about the time I started getting interested in film, and I assumed that film would be moving along with the other pop culture forms. Its finally done it but it's taken decades for it to catch up just to basement band level.
In 1986, I was asked by the then-Dean of Science at the University of British Columbia, Dr. R.C. Miller, Jr., to establish a new interdisciplinary institute, the Biotechnology Laboratory. I decided that it was time for me to start paying back for the thirty years of fun that I had been able to have in research.
You look at the descriptions of Whitey by law enforcement during his early years, and they sum him up pretty well. He was the same guy 40 years later; he just had $40 million more, and had committed 40 more murders.
A lot of artists make art for five years, some artists make art for ten years, a few make art for fifteen: very few do it until they die.
Years ago I decided that the greatest need in our Country was Art... We were a very young country and had very few opportunities of seeing beautiful things, works of art... So, I determined to make it my life's work if I could.
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