A Quote by Louis Leterrier

The new 'Avatar' BluRay is a lesson in filmmaking. It really is inspiring. — © Louis Leterrier
The new 'Avatar' BluRay is a lesson in filmmaking. It really is inspiring.
Whether I appear in 'Avatar 2' or 'Avatar 3', I always feel I'm a part of the 'Avatar' team.
The Avatar is a child to the children, a boy to the boys, a man among men, a woman among women, so that the Avatar?s message might reach each heart and receive enthusiastic response as Ananda. It is the compassion of the Avatar that prompts His every action.
New media's not very old, hence the word new, so we don't know a lot of things about new media and by the time you've taught it it's probably out of date. I think it's much more beneficial to have an experiential lesson versus a classroom lesson in new media.
Aang is an Airbender, and he became the Avatar after the last one died. He has to realize his destiny as the Avatar by mastering all of the elements - earth, fire and air. For me, I feel like I'm mastering all the different styles or elements of MMA. It's my destiny to become the Avatar of this game.
The biggest lesson that I have learnt from everyone is that there are no rules in filmmaking.
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
The Avatar appears to be human and we are misled into thinking of him in these terms but the Avatar himself warns us against this error.
It's been reinforced to me, and it's a little cliche, but I've learned that you can't make a movie that even works, much less that's good, without really good writing and really good acting. That lesson has led me to not be distracted, so much, by the other stuff going on in filmmaking and to focus on the essence of a story, and the words and the events and the way that those are interpreted by the actors. That philosophy has taken me to a place that I really like.
The great lesson about filmmaking is never take "no" for an answer, especially if you have a lot of passion and inspiration to do something.
Claire Danes in 'Homeland' just blew me away. She is so intuitive, and her choices are so unique. When you see somebody like that work, you just have to stop in your tracks. It is a lesson in what good acting really is, and it is so inspiring to be around.
If I could be any avatar and go into a social virtual space, I think I would try to be my avatar from 'Ready Player One' 'cause why not? He's already got the windy hair.
I'm very influenced by documentary filmmaking and independent filmmaking, by a lot of noir and films from the '40s. Those are my favorite. And then, filmmaking from the '70s is a big influence for me.
I did The Fifth Element and [Jean-Claude] Mezieres, the artist of Valerian; he was working on Fifth Element. And he's actually the one who say, why don't you do Valerian? And I said because we can't make it. And you really have to wait for Avatar and to suddenly think oh okay, maybe we can think of it. But before Avatar, just forget it.
When I was living in New York, I tried to make it work for a year, but I didn't really have my own space to be creative. It was really inspiring, but I think that coming to L.A. has allowed me to take a breath.
The lesson of the Federation should be that the lesson is over. Australia must have a new idea of itself. We have to strike out in a new direction, in a new way, armed with our own self-regard, our own confidence and fully appreciating our own uniqueness. All other roads will lead us into the shadow of great powers.
Filmmaking is really connected to life and all of the expressions that different arts found to allow access to life. Filmmaking touches on all of it.
This site uses cookies to ensure you get the best experience. More info...
Got it!