A Quote by Louis Malle

You see the world much better through a camera. — © Louis Malle
You see the world much better through a camera.
Realism and superrealism are what I'm after. This world is full of things the eye doesn't see. The camera can see more, and often 10 times better.
Remember, folks, every one of these Republicans in Senate sees the world through the eyes of the left. Every one of these Washington people. They don't see it through the prism of their own principles and beliefs. They see the world through the eyes of the left. They see the media criticism that will be forthcoming. They see the newspaper headlines. They see what's gonna be said about them on CNN and New York Times. That's what they see. That's their world.
Look, I really do not care about you. What I care about is the worlds that you bear witness to. You are nothing more than a dog with a video camera strapped on its back. As you walk the streets looking for a place to mate or piss or eat, the camera is on and we will see the world because of you... You carry the camera and we enjoy the world. (On images as autobiography)
Technology has grown so much that there's a whole idea of gluttony. Sometimes you get carried away because you can have a camera go through the window, but do I need a camera go through the window? Those choices are up to the director.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
Your camera is the best critic there is. Critics never see as much as the camera does. It is more perceptive than the human eye.
In the grand spectrum of things in WWE, you are wrestling for that camera and that camera and that camera - and all the cameras they have - and you have to make things work that way because, through that camera, there's a million people watching.
The fact that I have a little ten-megapixel camera with me all the time, is way better than having the greatest camera in the world sitting at home on a desk instead of on my shoulder.
I would like to see more films being made with people of color behind the camera and in front of the camera, because the more times at bat we have, the better we get.
A lot of photographers think that if they buy a better camera they'll be able to take better photographs. A better camera won't do a thing for you if you don't have anything in your head or in your heart.
It is good that the window should be transparent, because the street or garden beyond it is opaque. How if you saw through the garden too? It is no use trying to 'see through' [everything]. If you see through everything, then everything is transparent. But a wholly transparent world is an invisible world. To 'see through' all things is the same as not to see.
Build bridges of insight through empathy, see the world through the eyes of others, understand the world through their experiences, and feel the world through their emotions.
With all the catastrophes that are going on, and all the hardships that are going on around the world, you don't do the world any service by walking around in pain and at war with yourself. You'd do a lot better good, a lot better service, if you find that thing within yourself that says ...move forward it's okay. It's are duty to see through it and work through it.
I love the luxury of the camera. The camera does so much for you. I like the secrets a camera can tell.
I'm very heavily involved in the editorial post-production process, and the camera - it's just such a big part of my storytelling language. I like creating the tension; I like creating the emotion through the movement of my camera, or the lack of movement through my camera, depending on what fits the scene best.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
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