A Quote by Louis Theroux

I both admired my father and his writing, and I saw how much he valued it. — © Louis Theroux
I both admired my father and his writing, and I saw how much he valued it.
My idol was Terry Bradshaw, but my role model was my father because I saw how much he worked and how much he focused on his trade. I was brought up the right way.
Born in 1910, Wilfrid Thesiger spent his childhood in Ethiopia, or Abyssinia, as it was then called, where his father was an important and much-admired British official.
William Carlos Williams, late in his long life, had a dream: He saw an enormous spiral staircase in empty space, and his father slowly descending toward him. When he reached the bottom, his father walked over, looked him in the eye and said: “You know those poems you're writing? They're no good.”
We gave each other a hug, [Richard Pryor] said how much he admired me, I said how much I admired him, and we started working the next morning, and we hit it off really well, and he taught me how to improvise on camera.
I admired and valued Robin as a colleague and friend and as one of the greatest parliamentarians of our time. His wife Gaynor and his two sons are in our thoughts and prayers.
I would probably confess that I was the greatest disappointment of my mother's life, but my father only admired his son's moxie, drive, hustle, and wherewithal to pursue his dreams no matter how I achieve them.
I admired my father very much... at the age of sixteen. But now I see that he was a brutal and cruel man, - but not without remorse, and that was what tortured us, his alternations.
I fantasised about F. Scott Fitzgerald's 'The Great Gatsby' - I loved it, and then I read everything J. D. Salinger had to offer. Then I was turned on to Kerouac, and his spontaneous prose, his stream of consciousness way of writing. I admired him so much, and I romanticised so much about the '40s and '50s.
My father very early on had both short and long-term strategies in his approach to raising his children, so my father was disturbed by the extent to which I was interested in both hip-hop and sports.
My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name.
I remember those faces of people who were good I saw that. I saw a father who gave his bread to his son and his son gave back the bread to his father. That, to me, was such a defeat of the enemies, will of the enemies, theories of the enemies, aspirations, here [in Auschwitz].
My late father Rev. James Thomas McGlowan was the inspiration behind 'Bamboozled.' My father admired Frederick Douglass' courage and his bravery in the face of adversity.
My father valued patriotism above all other social obligations, but he had his own particular interpretation of just how true patriotism was meant to function.
Klaus Mann saw very clearly how different was his own (more liberated) form of homosexuality from the same-sex attractions of his father - and that is reiterated in TM's diary queries about "how two men can sleep together".
I missed my father so much when he died that writing about his life and mine was a way of bringing him back to life and getting me to sort of understand more about him and what made him the father, the husband and the man that he was, and how that made me the man, husband and father that I am.
I've always wanted to tell a story about Lincoln. I saw a paternal father figure; I saw someone who was completely, stubbornly committed to his ideals, to his vision.
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