A Quote by Louis Theroux
I didn't think, 'I'd really like to work in TV; maybe I could carve out a niche where I talk to people who are somehow involved in marginal or difficult lifestyles... ' It was something I gravitated to very naturally as a subject area, almost instinctively, and somehow turned into a TV career without meaning to.
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There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.
If I was in a bad mood, then maybe I won't talk about it, but you're going to know about it somehow. If something was bothering me, maybe I would have acted a little bit like a child, meaning I go break something in a room.
I barely watch TV. Somehow, I make it work with just the Internet. On TV, there's always so much crap, and you have to flip around.
Film used to have to be niche and find its audience in a little art house cinema, and TV had to work for everybody. And now it's kind of flipped where there's so many platforms that TV can be incredibly niche.
I put my energy into writing songs. I have to carve out a living somehow doing this, and licensing is one way. It's hard to register what's "too much" for other people. I don't watch TV, so it's tough for me to gauge. I just take it as it comes, and don't put a whole lot of thought into it.
I just feel lucky that I somehow escaped from the confines of the business class... I feel so fortunate that somehow I managed to break out of that world and get to do something that really had more meaning.
I talk openly about my past and what I've gone through - abuse being something that was very real in my household, and a lot of chaos growing up as a child. I think that I naturally just gravitated towards music that I could really feel on a deep level - and that meant sadness. I was able to connect with that at a really young age.
In TV, you can carve out a beautiful little niche like 'Breaking Bad' did. Like 'The Wire' did. Like 'Homeland' did.
No one else writes like Gord Downie, so it's difficult to compare him. He can work in the abstract and still somehow be really specific. He lets parts of his consciousness in that most writers aren't able to do, myself included. I don't feel like I have that access to the surreal and the somehow beautifully meaningful non-sequitur - that fits perfectly. I can never figure that out, how he does that.
I watch like, Steve Jobs interviews, I don't really watch TV. I stopped watching TV when I turned like ten because my parents were like, 'TV's really bad for you.'
I think... it is somehow very useful, and maybe even essential, for a fine artist to have to somehow make his peace on the canvas with all the things he cannot do. That is what attracts us to serious paintings, I think: that shortfall, which we might call 'personality,' or maybe even 'pain.'
I wanted to make a TV show that I would want to watch and I naturally gravitated towards the genre of rom-com, because that's something that I have so much love for.
That is how you get to be a writer, incidentally: you feel somehow marginal, somehow slightly off-balance all the time.
I consider myself true, which, I know, some people look at as radical, but I enjoy the normalcies of life. I'm not out there trying to transform things, but somehow, by being easy to talk to, and easy to look at, and on a mainstream TV show, I think that I'm helping the public's opinions about transgendered people to change, slowly.
I believe that the major operating ethic in American society right now, the most universal want and need is to be on TV. I've been on TV. I could be on TV all the time if I wanted to. But most people will never get on TV. It has to be a real breakthrough for them. And trouble is, people will do almost anything to get on it. You know, confess to crimes they haven't committed. You don't exist unless you're on TV. Yeah, it's a validation process.
Since the 1980s, I've been known more for my TV work, I used to host 'Live at Jongleurs' and of course 'Grumpy Old Men,' and so it's really all come from there. It's been a funny career really, there are people that know me now as a TV person, a comedian, an interviewer - I've had people genuinely gobsmacked to find out I am a musician.
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