A Quote by Luc Besson

I was kind of surprised that, about 99 percent of the people grabbed the thing [in Valerian].You know it's their thing. And I'm very impressed by that. — © Luc Besson
I was kind of surprised that, about 99 percent of the people grabbed the thing [in Valerian].You know it's their thing. And I'm very impressed by that.
The thing I find about the movie industry is that 99 percent of the people are absolute scum. They're horrible people, they really are. Very nasty killer rabbits who hate movies. But the other 1 percent are really the greatest, most wonderful people in the world.
13. 99 percent is a very large percentage. For instance, easily 99 percent of people want a roof over their heads, food on their tables, and the occasional slice of cake for dessert. Surely an arrangement can be made with that niggling 1 percent who disagree.
I think people are uncomfortable seeing pregnant women, particularly with any kind of conflict. [Pregnancy is] very much a projection of life and love, but it's also very complicated. People have very complicated pregnancies. They could be accidental or people suffer depression, and that was a really interesting thing for me. And a challenging thing. I have not been pregnant. I don't know what that's like, let alone to be really conflicted about it. Acting in the film about pregnancy was a really interesting thing to do.
I do care about not 99 percent or 95 percent. I care about the very rich and the very poor. I care about 100 percent of America.
I was scared by social media - just scared of what I might attract. Once I broke onto that thing, because I needed it for my band to tell people about shows, I realized, 99 percent of the time, people are funny, clever, inventive, beautiful.
People share everything on Facebook. That can be a very good thing or a very noisy thing. With Foursquare, people know that they're getting information specifically about a place, advice about where they are and what they could be doing. It's a very filtered view of the world.
As someone who came to New York in the 1970s, I was, like so many of my friends, a certified member of what we now call the 99 percent - and I was a lot closer to the bottom than to the top of that 99 percent. At some point during the intervening years, I moved into the 1 percent.
The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
I honestly feel like 99 percent of people have some kind of self-hate about their looks, and if I can joke about mine, maybe they can feel better about theirs.
I have a love-hate relationship with Twitter. There are moments I feel like 99 percent of the people who write stuff are the sweetest people, and then one crazy guy or girl spoils the whole thing.
Most of the time-- 99 percent of the time-- you just don't know how and why the threads are looped together, and that's okay. Do a good thing and something bad happens. Do a bad thing and something good happens. Do nothing and everything explodes.
People talk about grief as if it's kind of an unremittingly awful thing, and it is. It is painful, but it's a very, very interesting sort of thing to go through and it really helps you out.
The top 1 percent have the best houses, the best educations, the best doctors, and the best lifestyles, but there is one thing that money doesn't seem to have bought: an understanding that their fate is bound up with how the other 99 percent live. Throughout history, this is something that the top 1 percent eventually do learn. Too late.
There is one thing that 99 percent of 'failures' and 'successful' folks have in common - they all hate doing the same things. The difference is successful people do them anyway.
Every time I write a song I feel really lucky and kind of surprised. Not surprised that I wrote it, but just surprised that things exist that you don't know about.
The thing about literature is that, yes, there are kind of tides of fashion, you know; people come in and out of fashion; writers who are very celebrated fall into, you know, people you know stop reading them, and then it comes back again.
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