A Quote by Luca Guadagnino
When you have great performers and have set your movie in the right direction, it's a beautiful privilege to let the camera watch the action unfold without spoken words.
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Get your texts from God - your thoughts, your words, from God... It is not great talents God blesses so much as great likeness to Jesus. A holy minister is an awful weapon in the hand of God. A word spoken by you when your conscience is clear, and your heart full of God's Spirit, is worth ten thousand words spoken in unbelief and sin.
Like a beautiful flower, full of colour, but without scent, are wise words when spoken, but fruitless these words are when not carried out by the speaker.
Rehearsals are set up so that you find out all the nuances about your character. You never want to beat yourself up. It's about finding the right direction, and most of the time, the right direction is not what you think is the right direction. That's why the director's there: to guide you there.
This is what Wisdom means: To be changed without the slightest effort on your part, to be transformed, believe it or not, merely by waking to the reality that is not words , that lies beyond the reach of words. If you are fortunate enough to be Awakened thus, you will know why the finest language is the one that is not spoken, the finest action is the one that is not done and the finest change is the one that is not willed.
There is no one who can stop you; you find a mic, a crowd, a set of ears, and nowadays, a camera and YouTube, and you recite your poem. You have your say. I don't want to over-romanticize it: of course, any time an art form ascends, especially when competition is involved, there will be gatekeeping, chauvinism, and other unfortunate dynamics. But the beauty of spoken word and performance poetry is, by and large, its ability to reach people in the moment - right there, right then.
When I'm in a movie, what I always do, instead of sitting in a trailer or watching a DVD, is I go on the set and watch the director work and the actors work, and sometimes I'll hang out with B camera and watch what they're up to and ask questions because there's so much to learn about the medium.
The first time you watch a movie that you like, all of the magic works on you. It's an experience of having a world unfold in front of you. But if you watch it again, you start to see where the seams are.
No matter how advanced your camera you still need to be responsible for getting it to the right place at the right time and pointing it in the right direction to get the photo you want.
The fact that I tour religiously in the spring, religiously in the fall, and do 125 shows - you can set your watch to that. And you could have set your watch to that in 2000 or 1999, and you can set your watch to it in 2012.
Sacred play is anything that takes you into that right hemisphere of your brain. It turns out that this move away from left to the right hemisphere, that sense of expansiveness and everything, can be accomplished through unusual rhythmic action, or any action that requires so much attention away from words that you cannot think in words.
Be aware of the words that go into your mind, both conscious and unconscious, because words and ideas can be great tools for your mind to use in coming to appropriate decisions. Remember that a statement spoken in spiritual consciousness can contain great spiritual power. Speaking powerful words of love changes things and outer circumstances as well as consciousness itself.
I think eating in itself is the act of great sensuality, so all you have to do is point the camera in the right direction.
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you. The camera is an instrument that teaches people how to see without a camera.
Editing can alter the original meaning and context, and computers can alter the image itself. The camera can also be manipulated. At the very least, it must be turned in one direction - only one direction at a time ... Who chooses what direction to point the camera, and why?
I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
Sometimes we don't need words. Rather, it's words that need us. If we were no longer here, words would lose their whole function. They would end up as words that are never spoken, and words that aren't spoken are no longer words. - (Where I'm Likely To Find It)
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