A Quote by Luca Guadagnino
I'm interested in form, in the shape of things. And in commitment to the degree of never letting go the quest for the meaning of things. That can come off as beauty and style, but that's not where I start from.
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It's so hard to give beauty a meaning. I actually find quite a lot of beauty in really painful things. Really grotesque things. Things that are disturbing. I think as you go and as you see things in the world, your idea of beauty expands and I think I'm lucky because I've been exposed to so many different types of beauty and I've realized that any feeling you cherish is beautiful.
Holding on to things from the past is the same as clinging to an image of yourself in the past. If you're the least bit interested in changing anything about yourself, I suggest you be brave and start letting things go.
A sermon is a form that yields a certain kind of meaning in the same way that, say, a sonnet is a form that deals with a certain kind of meaning that has to do with putting things in relation to each other, allowing for the fact of complexity reversal, such things. Sermons are, at their best, excursions into difficulty that are addressed to people who come there in order to hear that.
Happiness does not come from the things that we have but the abandoning of things that we cling to, by letting go of the attachments to things we don't want.
There’s people who do things and people who never do—who say they will someday, but they just don’t. I want to go on a quest. I’ve always wanted to go on a quest. And now that I have one, I’m not backing down from it. I’m not going home until it’s complete.
Why do I run? It's the best form of exercise. It's totally the core of being in shape. I really feel so good - anytime after the first mile. You start fantasying. You start thinking about things.
Renunciation is not about pushing something away, it is about letting go. It's facing the fact that certain things cause us pain, and they cause other people pain. Renunciation is a commitment to let go of things that create suffering. It is the intention to stop hurting ourselves and others.
Our bodies are given life from the midst of nothingness. Existing where there is nothing is the meaning of the phrase, "Form is emptiness." That all things are provided for by nothingness is the meaning of the phrase, "Emptiness is form." One should not think that these are two seperate things.
Whenever I get the sort of fancy pants idea that I'm doing anything other than pure expression things start to go wrong. When I get too premeditated, things start to go wrong. I just shut that part of my brain off.
Real meditation is not about mastering a technique; it’s about letting go of control. This is meditation. Anything else is actually a form of concentration. Meditation and concentration are two different things. Concentration is a discipline; concentration is a way in which we are actually directing or guiding or controlling our experience. Meditation is letting go of control, letting go of guiding our experience in any way whatsoever. The foundation of True Meditation is that we are letting go of control.
Life is not primarily a quest for pleasure, as Freud believed, or a quest for power, as Alfred Adler taught, but a quest for meaning. The greatest task for any person is to find meaning in his or her own life.
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. These things do not come near it - the experience of beauty, the event of beauty. The anxiety about it is what makes it such a central concern of culture and makes us so interested in it.
The only way you will ever awaken is through silence, not through analyzation of facts. Not by sorting out good and bad, but through simple silence, letting go. Letting go of all thoughts, all the hurts, all the dogmas and concepts. Letting go of these things daily.
The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius.
The grey paintings, for example, a painted grey surface, completely monochromatic - they come from a motivation, or result from a state, that was very negative. It has a lot to do with hopelessness, depression and such things. But it has to be turned on its head in the end, and has to come to a form where these paintings possess beauty. And in this case, it's not a carefree beauty, but rather a serious one.
When one has reached maturity in this art, one will have the formless form. It is like the dissolving or thawing [of] ice into water that can shape itself to any structure. When one has no form, one can be all forms; when one has no style, one can fit in with any style.
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