A Quote by Lucien Bourjeily

I never made a clear-cut in my mind between theatre and film, as I always felt that at the heart of both of them is storytelling and acting. — © Lucien Bourjeily
I never made a clear-cut in my mind between theatre and film, as I always felt that at the heart of both of them is storytelling and acting.
I don't think of bouncing between acting and singing as a transition but rather as an expansion. I love both crafts so deeply, I feel my heart and soul have no choice but to explore both. I could never choose between the two of them. I am passionate about both for equal yet different reasons.
But then I got a job selling coffee at the York Theatre, and when I met theatre people, something clicked. I felt comfortable with them; I felt like myself. I decided to go to drama school based just on that feeling. I had never done any acting.
I don't have a preference between theatre and film; I like to do both. But I will say that there's something about theatre that is more nourishing and sustaining than film ever can be.
Theatre, film and television are all modes of storytelling, and many of us are fortunate enough to move freely among them without feeling that we've 'left' or need to 'go back' to one or the other. In fact, if the theatre is to avoid a brain drain, this kind of fluidity is increasingly necessary.
I've always been drawn to storytelling, and acting is the most immersive form of storytelling you can get involved with! You're actually in the story when you're acting.
The storytelling mind is allergic to uncertainty, randomness, and coincidence. It is addicted to meaning. If the storytelling mind cannot find meaningful patterns in the world, it will try to impose them. In short, the storytelling mind is a factory that churns out true stories when it can, but will manufacture lies when it can’t.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
Friendship is made up of esteem and pleasure; pity is composed of sorrow and contempt: the mind may for some time fluctuate between them, but it can never entertain both at once.
For me, as I was growing up, I studied architecture, I was into music, and I always felt that there was a gap between the things that I loved and consumed and who made them and how they made them.
I never went into acting to do film. I went into it to do theatre - classical roles.
On another level this film talks about that. We had tremendous freedom while making this film. We never thought about marketing. It wasn't a film made to sell merchandise or products or to reach millions of people around the world. It was a film made to say what I really felt.
I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
The theatre-acting, creating, interpreting - means total involvement, the totality of heart, mind and spirit.
Theatre has always been my passion. It never happened to me that theatre took a back seat in my life. I have never stopped doing it even after joining the film industry, and I intend to perform it lifelong.
Clear mind is like the full moon in the sky. Sometimes clouds come and cover it, but the moon is always behind them. Clouds go away, then the moon shines brightly. So don't worry about clear mind: it is always there. When thinking comes, behind it is clear mind. When thinking goes, there is only clear mind. Thinking comes and goes, comes and goes, You must not be attached to the coming or the going.
I wanted to do a film for a while, but I never found a script that I felt I was going to be the right person for; because if you've never made a film, you're not taught how to make a film, and you feel like you lack skills.
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