A Quote by Lucy Walker

I think we have become oversaturated with tired fictional narratives. — © Lucy Walker
I think we have become oversaturated with tired fictional narratives.
I create fictional narratives, but it's based on literal people.
There's a problem with narratives. Most that spring to mind are fictional.
The fictional narratives that television, film, and the news provide for girls and young women are appalling.
My role in the government was not to think about narratives and consistency with narratives, but think of the human consequences of rules.
I don't think there is a fictional character who resembles me because fictional characters are not real!
The first thing I think about when I wake up most mornings is the fact that I'm tired. I have been tired for decades. I am tired in the morning and I am tired while becalmed in the slough of the afternoon, and I am tired in the evening, except right when I try to go to sleep.
Films and television and even comic books are churning out vast quantities of fictional narratives, and the public continues to swallow them up with great passion. That is because human beings need stories.
One of the things that writing has taught me is that fiction has a life of its own. Fictional places are sometimes more real than the view from our bedroom window. Fictional people can sometimes become as close to us as our loved ones.
I do think any modern storyteller is influenced by the stories we all grow up with and become familiar with, our shared cultural narratives.
I am not interested in making didactic polemical statements. That is not the way I want to make films. There is a place for polemics, but I don't think that it is in fictional cinema. Fictional cinema works subtly and deeply.
You have played, (I think) And broke the toys you were fondest of, And are a little tired now; Tired of things that break, and— Just tired. So am I.
People have said over the years that the reason I did not give up my seat was because I was tired. I did not think of being physically tired. My feet were not hurting. I was tired in a different way. I was tired of seeing so many men treated as boys and not called by their proper names or titles. I was tired of seeing children and women mistreated and disrespected because of the color of their skin. I was tired of Jim Crow laws, of legally enforced racial segregation.
Generally, I start by observing the existing and popular narratives in my social spheres and media, and the pressures I face in my own life experiences. As someone who is "newly" trans, I am constantly thinking about what the dominant narratives are around transness, how my work can push against these narratives, and how it already falls into these traps.
Narratives have the same power, I think. Some readers of my novels ask me, "Why do you understand me?". That's a huge pleasure of mine because it means that readers and I can make our narratives relative.
My paintings are loosely based on meta narratives. The pictures float in and out of pictorial genres. Still life's become personified, portraits become events, and landscapes become constructions. I embrace the area between which the subject is composed and decomposing, formed and formless, inanimate and alive.
I'm often associated with parallel narratives or dual narratives. The 'Devil in the White City' was a fluke.
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