A Quote by Lupe Fiasco
We've done shows - we'll be in Dublin, and it will be nonstop pandemonium to the point where you think the crowd is going to implode, because they're making so much noise and they're so excited.
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'The Villain' gets off on the idea of disgusting the crowd and then telling the crowd to keep the noise down while he does it. The reason it works is because it comes at a point in matches where the anxiety shows.
I think a lot why our lives shows are good is because of the crowd, and because of the energy that they bring. Also, there was a time when a lot of the people that came to our shows were a bunch of drunk bros. At a certain point, we decided we were going to start calling them out. We also decided to become more gay-positive and feminist and all that stuff, and that we were going to be really vocal about it. After that, our crowd became a lot friendlier, and honestly a lot more fun.
I try to call the play as quickly as I possibly can and then shut up and let the crowd roar because, to me, the crowd is the most wonderful thing in the whole world when it's making noise.
Whether I am performing for an elite crowd or a crowd of 20,000 people - the moment someone asks for 'Agneepath,' and I respond 'Agneepath' chahiye?' the noise in the crowd, shows that this song has become huge.
I've been working in television for so long, since 2004, and I just worked nonstop throughout that time and I've learned so much. I've definitely done that 10,000 hours. I know the format really well and I feel comfortable in it. I'm excited about going into something I'm not so comfortable in, which is film.
I've grown so much since 1996. I think that was the turning point of when I started to go to church every Sunday and not just because you're supposed to. But because you enjoy going and listening to the Word and being excited about it
I've grown so much since 1996. I think that was the turning point of when I started to go to church every Sunday and not just because you're supposed to. But because you enjoy going and listening to the Word and being excited about it.
Because my parents were illegal, they couldn't trust anybody. They were always nervous. A neighbor could be like, 'These people are making too much noise, their children are making too much noise,' and the cops could knock at our door and ask for our papers, and that's it. It's that simple. So you're always a little closed.
If there's a buzzing-noise, somebody's making a buzzing-noise, and the only reason for making a buzzing-noise that I know of is because you're a bee.
I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.
I thought the first two seasons of America's Got Talent were good. I think this one is the best one by a mile because they - you see the difference this year, I think, with the crowd being effectively the fourth judge. But most importantly, I think that these shows have to have a relevance because if you're not finding stars at the back of these shows - whether it's Idol or Got Talent - they're a complete waste of time.
I stopped playing football because I'd done as much as I could. I needed something which was going to excite me as much as football had excited me.
Back then, all the networks were still making a movie a week, virtually. So I did five of them that year. So it was just a nonstop... '92 was a great, nonstop ride in Vancouver.
I was going to say it's pretty bad these days, but I actually think it's pretty much the same as it's always been: There are a few really great shows on, and a bunch of garbage. That's the nature of the beast. It's always going to be that way as long as the networks try to second-guess what the American public will like. I wish that they'd just put on what they think is good rather than what they think people will sit through. I bet they'd have the same success rate, but at least the shows that survived would be better.
I feel very strongly influenced by long-form box-set TV drama... I feel really excited that, at last, the novel has found its on-screen equivalent, because the emotional arcs and changes that you can follow are just so much more like a novel, and so many amazing shows recently have done as much as film can do to show the interior world.
I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.
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