When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
I'll take two months off just to listen to records and not do any music so I can absorb all that and then when I go do my music. It's all in me. I'll listen to a different genre every two days or something, study it, 24 hours straight.
You cannot simply put something new into a place. You have to absorb what you see around you, what exists on the land, and then use that knowledge along with contemporary thinking to interpret what you see.
I like Young Thug. A lot of people might think I don't like Thug. I listen to Thug more than I listen to a lot of them. You got to listen to the music and absorb it. Some people might see him on the centerfold or something and just automatically judge him. You got to listen.
When listening to another person, don't just listen with your mind, listen with your whole body. Feel the energy field of your inner body as you listen.That takes attention away from thinking and creates a still space that enables you to truly listen without the mind interfering. You are giving the other person space-space to be. It is the most precious gift you can give.
If I have the space, I recognise the space, I like to take the ball and go straight to the goal, if there's a chance to create something then I'll do it.
State what you actually see in someone's work first: objects/space/color/directional flow - then content. Interpret.
Usually, when we write in The B-52s, it's quite a collaborative process. We really take hours - and sometimes days - jamming, and then we listen and listen to them and go, 'Oh, let's use this part, and then this part.' It's really like a collage.
I absorb energy, I absorb the good, the bad, I absorb everything. That's what makes me who I am.
There are times when you should listen to what people say about you, but also a lot of times you just don't need to listen so much. Don't worry so much and just go. Unless you're, like, in danger, and then don't. And then run, girl.
One asana is strong, then again another is very soft and gentle. So you have this modulation from one asana to another, just as you have from one feeling to another. Then they all, of course, make you lighter, give you space. I feel that space is what I get and receive and like to have - space inside which makes more space for openness outside.
From a very young age, my parents taught me the most important lesson of my whole life: They taught me how to listen. They taught me how to listen to everybody before I made up my own mind. When you listen, you learn. You absorb like a sponge - and your life becomes so much better than when you are just trying to be listened to all the time.
When I was younger I didn't want to listen to anybody, but now more than ever where I am in my life I understand how important it is to listen, observe, absorb, and let that all come out through your music.
We live with incessant music, all the time. It's like some weird musical purgatory, there is absolutely no rest for the ears, no space to absorb and reflect.
A big marker in my life was realizing you could record sound: I liked to make little recordings and then go back and listen to them. It becomes something outside of you then and you can listen to it objectively.
I think I set myself on a course to become a scientist around about the time that Carl Sagan's 'Cosmos' series was on television, and there really was no going back for me at that point, and then I went on to study space science and then get my Ph.D., then go aboard and work in the European Space Agency.