A Quote by Lynn Shelton
I'm not one of those directors who can just kind of walk away from the edit room and come back and check in.
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When you get older, you kind of learn when something is done, you just walk away. Sometimes people just want to keep fixing things. But you know it's kind of just like your gut that tells you, "You're done, walk away" because you can always keep fixing it.
Come away with in the night
Come away with me
And I will sing you a song
Come away with me on a bus
Come away where they can't tempt us
With there lies
I want to walk with you
On a cloudy day
In fields where the yellow grass grows
Knee-high
So won't you try to come
Come away with me and we'll kiss
On a mountain top
Come away with me
And I'll never stop loving you
And I want to wake up with the rain
Falling on a tin roof
While I'm safe there in your arms
So all I ask is for you
To come away with me in the night
Come away with me.
The Coen brothers: Of all the directors I've worked with, they're the only ones who have given me the storyboards attached to the script. It was very cool for me, because I knew when I was in close-up or if it was far away, and it also made me know that anything that happened in the edit wasn't personal. Because they edit their own movies, so they were editing it as they went.
I have walked away from friendships when I've realized that someone smiles to someone's face and talks about them the minute they walk out of a room. I have no room in my life for that kind of negative energy anymore.
A lot of directors, they don't go into the editing room during the shoot. When they come back, they've forgotten what they've shot. That's why their films come out a year after they shoot them.
Believe me, you don't walk away from the kind of money you make with a daily television show. You might get awful tired of it sometimes, but take a second look at the check and you get less tired right away.
I can't go to a party and just smile at people and walk away. There are big actors, directors who come to a party and stay for not more than 20 minutes. They have a knack for making a quick exit but I have not been successful in doing that. So I try to avoid such gatherings.
I tend to work in the mornings, then take a few hours off in the afternoon to walk the dog, and then come back and work in the evening. So, if I can remember my pre-dog walking music when I get back then that's fine, I'll kind of commit to those bits, but if I can't remember them I'll just move on to something else.
we made love on the living room floor with the noise in the background of a televised war and in that defeaning pleasure i thought i heard someone say if we walk away they'll walk away
All the actor does is, he tries to get as many takes as he can out of the director that day. So he can walk away and say to himself, "Hey, it's in there. I'm not going to edit it. I'm not going to make those choices. If they want to blow it, it's fine. But I've done all I can." You're right. I'm always amazed when actors bash films as if those grips and that cinematographer didn't work hard enough.
A lot of my friends they call me 'the therapist'. They come to me looking for advice. I must be doing something right because they keep coming back. But I'm not very good at kind of looking into my own world and trying to pick apart what is really wrong and fix those things. I like to kind of shy away from certain issues and turn away.
There were times that we'd be in the locker room there before everyone else, and a guy would walk in, say, 'Is this the Kliq locker room?' So we'd draw with a sharpie on the back of a program and write 'Kliq locker room'. I can promise you that none of those signs were ever on WWE letterhead.
Americans are good with to-do lists; just tell us what to do, and we'll do it. Throughout our history, we have proven that. Colonize. Check. Win our independence. Check. Form a union. Check. Expand to the Pacific. Check. Settle the West. Check. Keep the Union together. Check. Industrialize. Check. Fight the Nazis. Check.
My grandmother and I would go see movies, and we'd come back to the apartment - we had a one-room apartment in Hollywood - and I would kind of lock myself in this little dressing room area with a cracked mirror on the door and act out what I had just seen.
It's a lot to do with the Marvel ecosystem. It's different from the traditional studio system. Because it is, for how absurdly, incredibly successful they are, it is a family. It is a loving family. It is a group of people who only care about making things good. They don't choose directors who don't want to work with them in the way that they work. And the directors that they choose are better for having done it. Every director who comes out of that system are one kind when they come in, another when they come out. And they usually come back for more. They usually make more than one.
You're playing a role, but you're still feeling it. You can walk away from it after 'Cut,' but if you're playing a sad or mixed-up person, it's hard to stay in that place for these longish period of times. You kind of have to check out.
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