A Quote by Lynn Shelton
For me, I want to see diversity in storytelling sources because we live in a very diverse society, and the stories are for the whole society. That's really important. For me, as a female filmmaker, when I was out on the festival circuit on 2006, I felt like such a freaking anomaly - an oddity.
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Up until I was 30 I really didn't date seriously outside of my race because I felt like society - not my parents, not my friends - society was telling me I had to pick a Black man.
What I really would like to see is more female stories out there. Particularly older female stories, because women are predominantly ticket-buyers.
It's difficult to really be an artist nowadays. People are just on another page. You have a society that needs you to say something, but they don't want to give you the environment to be able to be just a functioning, happy, normal person. It's like, the industry is at odds with you, the society is at odds with you. You start to live in this very confined box where it's like, It's "me" and "them."
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Rise above the way society is going to see you and society is going to see you at the absolutely bottom of the totem pole because not only are you female, you are Black. Never believe it and never give into that, that that's where you live or that's who you are.
Everyone asks me how to get into television. Ultimately, you have to work for free for years. As much as we enthuse about diversity, we are never going to be truly diverse because the system means only a certain section of society can do that.
I'm aware of what I am, but I focus so much on myself as a musician and as an artist that I don't even notice that I'm the only female on a festival bill. I'm just like "oh I'm playing this festival."I haven't been very deeply involved in this greater outreach because my approach to equality is integration. I'm not into separatism, or an all-female festival. It's good and empowering but it doesn't allow for the bigger picture to get accomplished. We all need to be at the same festival - that's always been my approach.
I have for a long time felt that our society is becoming more and more fractured and divisive and that you could go a whole day without really talking to another person. If you give people a good book to talk about, you can build a community out of a diverse group. A common language grows out of it.
A culture cannot evolve without honest, powerful storytelling. When a society repeatedly experiences glossy, hollowed-out, pseudo-stories, it degenerates. We need true satires and tragedies, dramas and comedies that shine a clean light into the dingy corners of the human psyche and society.
A lot of people would write to me long stories from their lives, and I felt they were thinking of me as some sort of treasure chest to keep their secrets. I felt like sometimes they would tell me stories they wouldn't tell anybody else in the whole world. And I loved these stories.
Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
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We live in a diverse society - in fact, a diverse world - and we must learn to live in peace and with respect for each other.
In polite society, there is such a thing as sensitivity to some issues, as time has gone on. There was a time when we weren't politically correct, at all, and we all wince at moments when we look to the past and see that. I don't really know what the answer is, as far as that is concerned. However, me, as an artist, I don't really think about it, at all. It actually is not my job to think about that, especially in terms of me, as a writer, but also as a filmmaker. I'm not worried about the filmmaking part because, if I'm writing it, that's what I'm going to do.
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