A Quote by Lynn Shelton
By the time I hit college, my secret shame was the reason I was an actor was my own words sort of dried up. I stopped writing. I stopped being able to form my own vision. That's actually what my first feature is about - looking back at two different selves.
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In the periods of my career when I stopped passing the ball forward or when I stopped looking for the risky pass that might open up a defence, the consequences were the same. The manager stopped picking me. I got back into the team when I went back to doing it the way he wanted.
Critics stopped being relevant when they stopped writing to inform and contextualize, and when they started writing to signal who they are, to display their identity by their stance on what they are writing about. Criticism should never be about the critic, but thats what it has become, and that’s why no one cares about them anymore.
I tried to take a few community college classes, but it got in the way of music, so I stopped. I had real life college and traveling on the road college. It's like a segue into adulthood, like living on your own for the first time.
I was just sort of young and went with the flow. It wasn't like I was 6 and knew I wanted to be an actor. I was thinking more along the lines of, I'm 6. When I was 20 I realized, I've never really thought about what I want to do. So I took a bunch of time off, stopped answering my phone, stopped doing anything. I'm pretty sure this is what I want to do, but I needed to be sure. It took me about two years to come around.
We forgot about Buddha. We forgot about God. We developed a coldness inside us that still has not thawed. I fear my soul has died. We stopped writing home to our mothers. We lost weight and grew thin. We stopped bleeding. We stopped dreaming. We stopped wanting.?
Since I stopped writing, I read more than ever. Other people's words, not my own - my words are gone.
I did some acting in college. But then everything stopped when I was a junior, in the fall of 2001, when I started becoming religious. Once I became a full-on Hasidic, I stopped everything. I stopped music. I stopped acting.
I didn't wanna be looked at as no idiot, and I didn't wanna feel like I was uneducated, because I really stopped going to school at 15. I was never ignorant, as far as being experienced in classrooms and learning about different subjects and actually soaking it up, so I checked into college for a little bit.
Doing ensembles and shows is one thing, but being able to front a feature is totally different. You can be a great actor, and supertalented, but there's something about carrying a feature that's unique.
I remember being in high school and this guy saying to me, 'You'd actually be good-looking if you didn't joke around so much.' That affected me, and so I stopped joking around, and I stopped being a goof because I thought people would like me better.
I stopped doing standup because it stopped being fun. And the reason it stopped being fun was it was harder to write - and this was before the Internet - it was harder to write new stuff. It had gotten so crazy.
I never stopped being a mother, and I never stopped being an artist. Which is probably why my kids are so creative. When I'm with my kids I'm creating but I'm still a mom. I don't wear two different hats. My kids have always been on the set with me. I was breastfeeding on set. None of my kids would take a bottle so they could not leave my side for a very long time.
We all end up living secret lives. We create what we are willing to admire and admiring what we shouldn't confess to the secret ofour own sin, our own insufficiency, our own sadness. We all end up taking our secrets into the world and handing them over to strangers, only to realize it's often too late to claim them back. The very nature of time passing is sad beyond words. Memories mean they're gone.
I think writers just can't come up with any new words for what we're doing, because we're not 'retro-' anything. Like, in 'Gold and a Pager,' we're not talking about what was current - pagers were cool to us, but they never stopped being cool; people just stopped using them.
In the late summer of 1986, the band I had been in for five years stopped playing. Suddenly, I was on my own. This new state of bandlessness was, at first, traumatic. When your group breaks up, a lot of broken parts hit the ground.
A guy wrote a blog, way back when the Internet first started; the comments were so negative that it actually stopped me doing music for some time - about two, three years. It was after this one hip-hop project - Redfoo and Dr'Kroon. I wasn't used to it. I didn't like it. It lowered my self-esteem.
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