A Quote by Lynn Shelton
Before adolescence I had an incredible voice. Like when I was 12, 13, 14 - I was taking acting classes, I was painting, I was making music, I was taking photographs. I was kind of exploding creatively, and then something about adolescence really just ground that out of me.
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Up until the age of 13, girls are confident, and they feel like they can conquer the world. Then adolescence sets in, and girls lose their confidence. And 'Seventeen' is really about them taking an hour out of their month, unplugging, lying on their bed, and reading a magazine that believes in them.
I think when I was about 12 or 13, my dad started taking me out to the local golf course, and that's the first time I ever hit a golf ball. I picked it up pretty quickly, just kind of monkey-see, monkey-do. But when I was 12, golf was so slow to me. For me, it was basketball, girls and music.
Anytime I get an acting role, I find a way to learn about something new, or heal a part of my life that I didn't know was hurting. I think anybody could benefit from taking acting classes. You don't necessarily have to want to be an actor or pursue the acting business. But just taking an acting class, you're going to learn so much about life and what it's like to walk in somebody else's shoes. It helps you stop judging people. It does something to you where you become empathetic to people's plights and journeys, and it makes you a little more understanding and caring.
I care more about the fans in general, just making sure they enjoy what I do. And then also I kind of had this kind of ideal of the kind of music I want to make and what I'm aiming for kind of creatively and just the quality of the music that I'm trying to make. And I have that in my head.
The most dangerous age is 14. If you know any teenagers, this might not come as a surprise, but research has confirmed that risk-taking peaks during this exact moment in mid-adolescence.
I think the category of perpetual adolescence, it's a new thing, and it's a dangerous thing. Adolescence is a pretty glorious concept. It's about intentionally transitioning from childhood to adulthood. Being stuck in adolescence - that's a hell. Peter Pan is a dystopia, and we forget that.
My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
There's something so remarkable in the intensity of taking care of somebody who can't take care of him or herself. And then watching that little person bloom into adolescence.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
I was approaching adolescence. For some reason, I guess my mother thought it would be less crazy out in the suburbs, which it wasn't. I just think adolescence is hard for anyone.
I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.
I loved plays, I loved films, but I had no desire to act until I had just put out my album 'Like Water for Chocolate.' Creatively, I felt like I'd hit a ceiling, and I needed something else to express myself, and I just decided to take acting classes.
I'm compelled to paint nearly every day. I just felt like making a painting, went out and bought paints and a canvas. Now it fulfills me creatively when I'm not doing music: it's something you can do by yourself and it's totally yours. It's a great adjunct to my life.
I started playing on my grandmother's organ at a really young age. I learned 'Chopsticks' and that kind of thing, but I didn't really start picking it up and start taking it super seriously until I was probably about 13, 14.
Does it bother me that some people are burning their own System CDs and taking money out of my pocket? Not really. This has always been about putting the best possible version of the song in the fans hands. It was like selling an artist's painting before he had finished it.
My dad is a singer, so it was always either music or acting with me. All the way up through college I was doing both, and even after college I was in a reggae band. Then the acting really started taking off, so the music had to become a hobby.
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