A Quote by Lynn Shelton
I'd love for there to be a situation - a world in which that's just not even a question anymore. We are all filmmakers - different stripes, genders, sexual orientations, colors - and our work can be taken on its own terms. I'm really looking forward to that day.
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The rainbow is a part of nature, and you have to be in the right place to see it. It's beautiful, all of the colors, even the colors you can't see. That really fit us as a people because we are all of the colors. Our sexuality is all of the colors. We are all the genders, races, and ages.
Diversity is just 'the world.' It's different cultures, different backgrounds, different ethnicities, different religions, genders, sexual orientation, shapes, sizes. That is the world, but we call it 'diversity' because there is this one type that has always been accepted in the media, and it's finally starting to change.
If you come to a Logic show, you get all creeds, colors, religions, and sexual orientations.
I'm a storyteller, I'm not a literary writer, and I don't want to be a literary writer. People say to me, "Oh, when are you going to write something different?" What? I don't want to write anything different. I'm writing relationships between people, all different colors, all different sizes, all different sexual orientations, and that's what I want to do.
Nobody really truly supporting independent filmmakers anymore. It's just dire. There's a lot of bad filmmaking, and there's a lot of people worshipping some terrible filmmakers. It's a waste of all of our time, if you don't feel anything. We are an age of YouTube kids. We don't care so much anymore. It's all about marketing.
I believe the future will reflect different body types, ethnicities, cultures and sexual orientations. I've been working with a lot of young artists who really project an androgynous and inclusive approach to the world. I'm very inspired by that.
I often have said to people that there are really two cities in the country where the outlook is always forward-looking - there is never really a backward-looking tendency. My banking work has taken me out to Palo Alto, what is commonly called Silicon Valley. And you sense out there is always a forward-looking outlook. And New York City.
The standards by which a woman's appearance is judged on the news are different to men, there's no question about that. Our clothes are different, for starters, they're much more varied, they're commented upon, there's no question about that. But do you have to be really good-looking? I don't think that's true.
We never really see the global situation as a total situation. Today's political leaders are still lacking of the vision. They very often just try to cope with their own election, their own popularity, solving the problem or selling the ideas to meet their own voters. By doing that, it creates a great imbalance in terms of making deals or treaty or all those things. Even today the borders they're seeing the physical borders are very different from the political borders. Because all those powers are so connected, and you cannot even see whose interest in what move.
And there are also languages that divide nouns into much more specific genders. The African language Supyire from Mali has five genders: humans, big things, small things, collectives, and liquids. Bantu languages such as Swahili have up to ten genders, and the Australian language Ngan’gityemerri is said to have fifteen different genders, which include, among others, masculine human, feminine human, canines, non-canine animals, vegetables, drinks, and two different genders for spears (depending on size and material).
One of the things I love about my job is that it offers me an opportunity to step into different people and different spaces and different kinds of work in every new thing that I do. I'm just looking forward to the surprises I'm going to have.
If we are too busy, if we are carried away every day by our projects, our uncertainty, our craving, how can we have the time to stop and look deeply into the situation-our own situation, the situation of our beloved one, the situation of our family and of our community, and the situation of our nation and of the other nations?
Too many escape into complexity these days. For it is an escape for persons to cry, when this question of the equality of peoples is raised in India or in our own South, 'Ah, but the situation is not so simple.' ... no great stride forward is ever made for the individual or for the human race unless the complex situation is reduced to one simple question and its simple answer.
Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
In a world where we can all be our own filmmakers, the old elites are disappearing and there is no desire to look at somebody else's dream anymore because you can go off and make your own.
Also, to get to work with serious filmmakers on this kind of a movie, has elevated these movies. We were so lucky, as actors, that the crew of directors that we've gotten to work with are totally really super high-end filmmakers. But, Bill Condon had a vision and it was so specific. He's really passionate. I think he's taken the story to another level.
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