A Quote by Lynne Ramsay
To be honest, I was on the verge of thinking I didn't even want to be a film-maker, just because making 'Ratcatcher' had been so tough. Afterwards, I was just ill. Knackered.
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I really didn't want to be boxed into becoming a certain kind of film-maker - becoming the Maori story film-maker because I had made those short films.
The people I met for the first time in the period when I was making films like 'Tum Bin,' 'Ra.One,' 'Dus,' 'Cash' would often remark that I was very unlike the person who had made those films. This is not the best thing for a film-maker to hear because your film should reflect your personality, thinking, philosophy and character.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
There are machines that can get rid of your cellulite, so I want to do that. And my friend has just had a machine that has worked on her neck and tightened the elasticity of the skin. You just need a day off work afterwards, so I'm thinking, why not?
I believe that independent film making is the last frontier of creative expression available. So I'm always willing to lend a helping hand to a young film maker who's just getting into the business.
I had been told from school onwards that the best definition of a human being was man the tool-maker - yet I had just watched a chimp tool-maker in action. I remember that day as vividly as if it was yesterday.
I've been invited to do 'Strictly and they told me who I would be dancing with because, apparently, you have to train with them for six weeks before. But it's just not going to happen because my body is knackered.
I just go where it feels the most honest to go; then I deal with people thinking it's weird afterwards.
Two days after the chemo I felt terrible, like I had a permanent migraine and had been shot in every limb. I was knackered, starving. The doctor explained that was because I had essentially been poisoned.
I don't make rules myself. I didn't study enough to be able to make them. I'm too stupid. I spend my whole life making movies, so I have to enjoy it. Even at times when we had a very tight and difficult schedule, it was always enjoyable. Of course I wonder if the film will be successful afterwards. It's wonderful if a film becomes successful as a result of the enjoyment that we had
I just think of Fannie Lou Hamer, because even though she didn't know my name Ms. Hamer was thinking of me. I just want to do a good job, because I want her to look over that edge of heaven and say, "That's why I did it. That's why. I knew we had the capacity and the talent to be everything America says we can't be. All we needed was an open door."
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
Well, I kind of did the math in my head when I was like, 9. I was like, 'Well, if I want to make films' - because I want to be a director - 'I could just go on a film set and learn there.' And then I ended up falling in love with acting and the set and making friends all the time. And so I've just been doing that ever since.
My experience I consider an accident in the Hollywood system. I don't believe it should be a reference for a black film maker, or an example for any young film maker, because it's purely luck.
What I love about film is that everybody often connects to something so different, and things you couldn't anticipate when you were making the film, so you just make it as honest as possible.
We were equals afterwards, as we had been before; but, afterwards at quiet times when I sat looking at Joe and thinking about him, I had a new sensation of feeling conscious that I was looking up to Joe in my heart.
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