A Quote by Lynne Ramsay

Every director has a labour-of-love project. — © Lynne Ramsay
Every director has a labour-of-love project.
When 'Humsafar' did well, every single person associated with it shined. Its DoP [Director of Photography], Shehzad Kashmiri, went on to become a huge director. So, a good and successful project just blesses everybody.
Every relationship should eventually become a long-term relationship. Any director that I meet now isn't just a director. He's potentially a friend, and someone I can call to do a project that I want or that I have.
Every relationship should eventually become a long-term relationship. Any director that I meet now isn't just a director. He's potentially a friend, and someone I can call to do a project that I want or that I have. That's what I mean when I say branding and developing yourself, as a business.
Every labourer is a father, his labour is his child. Choose your project carefully and achieve it worthily
As a director, I love being able to really be a contributing factor to the overall vision of a project.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
The main reason for choosing a project is not really the renown of the director that's making the project. I feel like it's the fact of an actor to constantly want to do different things.
Also, I plan to screw something up on every movie I do so that I can learn from my mistakes and become a better director with each project.
I used to really love Fiend, but he stopped. He just stopped. Every time he had a project, every project - 'There's One In Every Family,' 'Street Life' - I had to have them. And he just stopped. And that was disappointing, 'cause that was my favorite rapper at one time.
I think a director has to be a little in love with his leading actress so he will project her as the most beautiful woman in the world.
You have this idea that Hollywood is all about making money and is very impersonal. But 'Love, Simon' is such a passion project for director Greg Berlanti.
The tendency of taxation is, to create a class of persons, who do not labour: to take from those who do labour the produce of that labour, and to give it to those who do not labour.
The secret is you need a director who refuses to walk away and you need a director willing to put their whole career behind the project.
Supporting Spurs is a bit like being in the Labour Party. It's a labour of love, believe me.
I don't take any project lightly. Every project is important for me. In fact, every scene in every film is important.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
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