A Quote by Lynne Ramsay

It's funny - sometimes when you approach people they get freaked out but occasionally you'll find a gem who's unselfconscious in front of the camera. — © Lynne Ramsay
It's funny - sometimes when you approach people they get freaked out but occasionally you'll find a gem who's unselfconscious in front of the camera.
Sometimes you find people who are magnetic, but once they get in front of a camera, they freak out and get weird.
I guess in my house when I was growing up, I was comfortable trying to be funny. And my dad, of course, it bugged him sometimes. He was trying to rest, and I was constantly trying to say something stupid to get a reaction. But I like doing these movies. You can do it in front of the camera and then it's over. I don't have to worry about being in front of too many people.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
Too sick and freaked out not to want a bullet for every passer by, too sick and freaked out to breathe, too sick and freaked out to care, too sick and freaked out to think of anything but the annihilation of my mind and denial of my life. So sick and freaked out that I think everyone is my friend.
I don't like to put too much effort into things. I find that once you get involved with special effects it is no longer about what is happening in front of the camera and I really want to concentrate on what is happening in front of the camera, like the man apparently peeing on the surface of the screen.
Sometimes my humor does offend people, and I've said it before: I don't write jokes to be offensive. I write jokes to be funny, and I guess what I find funny are things that other people sometimes find offensive. I would love nothing more than to never offend anyone, but it just doesn't seem to work out that way.
People want me to be funny all the time. They think I'm being funny no matter what I say or do and that's not the case. I rarely joke unless I'm in front of a camera. It's not what I am in real life. It's what I do for a living.
Sometimes when I'm going to the supermarket to get the coffee and cat litter, I get freaked out and see all these people staring, and you turn around and there's, like, 40 people all looking at you... and when you go around the corner, they're all following you! You start freaking out like a trapped animal.
I don't like getting up in front of people and being the loud one when everybody's out quiet and you're the only one talking. I'm not a fan of that. I'm fine when I get in front of a camera, I don't care. You'll never see me on stage. Not at all.
I think sometimes I should do more carousing, because I don't do much and maybe it would be fun occasionally. It's hard for me to have fun and I'm a serious thinker and a searcher and funny from the front.
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
Whether I'm in front of the camera, behind the camera, at my computer writing a novel or a screenplay, as long as I get to entertain someone out there, I'm happy.
People just like to be on camera. There's a huge desire to be in front of the camera, and once there, people will say and do almost anything. It's sort of a drug, and I think people get addicted to it.
'Hollyoaks' is where I learnt a lot of the craft, being in front of a camera six days a week. That's certainly an experience you don't get in drama school. It invites you to be comfortable in front of the camera.
Sometimes people will find things that are wrong. Sometimes they will even find an approach that you took wrong. If you think you took the right approach, then you just absorb the criticism, but you don't change your mind.
Sometimes you just gotta get in front of the camera because sometimes you have a long break between things, or you're auditioning and maybe nothing's really happening.
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