A Quote by Lynne Ramsay
On a film shoot, a crew will know instantly when they are dealing with someone who knows the technical stuff and they respond accordingly. It's often about getting their respect from the off.
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Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
I do miss the idea of the crew getting together to watch dailies after work. I will usually get selected dailies printed on film especially for the early part of a shoot as HD dailies really don't tell me much photographically.
When I hold a gun, I know how to be sensible about it. I'm not holding it to wild out or just to shoot somebody because I'm mad at him. There's responsibility in buying that gun, and part of it is dealing with it like a man, and not dealing with it like an idiot, and getting behind iron bars for unnecessary reasons.
Talent has no gender. People are hiring young male directors right out of film school, off of a student film or off of a film at Sundance for millions of dollars. You can do the same with a female. It's not a risk about the work if you respect the film that they made.
It's very, very technical, what we do in film. While all of the lights are there and all of the crew members and directors are staring right at you, you have to be honest. It's a very difficult, but technical medium.
No. He says when you're dealing with any kids of supernatural beings, Gods and Devils and angels, you tend to think about them like hurricanes or earthquakes, some kind of mindless force of nature. But if they're real, then they have minds. They know your name. So even reading about the Devil tips him off, he knows instantly he's being read about and that you're somebody he may have to deal with. And I'm thinking what you did in Vegas went way, way beyond that." "What 'I' did? What about us? We were both there." "Yeah but I cut my hair since then. They probably think that was a different guy.
I didn't know the technical language of filmmaking, so I said, 'OK, I'm going to do my own storyboard,' because I had to explain to the crew and the technical people what I wanted.
If one makes a short film with reasonable technical finesse, it will cost between Rs. 50,000 and Rs. one lakh. That's a lot of money for someone starting off.
But this is what I know about people getting ready to walk of the edge of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do.
Every time I think I’m getting smarter I realize that I’ve just done something stupid. Dad says there are three kinds of people in the world: those who don’t know, and don’t know they don’t know; those who don’t know and do know they don’t know; and those who know and know how much they still don’t know. Heavy stuff, I know. I think I’ve finally graduated from the don’t-knows that don’t know to the don’t-knows that do.
I have cultivated a little crew of people whose opinions I understand. It's like the way you'd follow certain film critics because you know what their criteria are, and you may not agree with them, but you can glean from their opinion how you will feel about a film.
You don't often get what you ask for, and I got exactly that. I got a show that was on cable, that I could shoot five months a year and go be mommy the rest of the time, and be with a cast and crew that I really, really love, adore and respect. I got all of that.
My experiences in life are getting bigger and better. The more stuff I do, the more stuff I talk about - having kids, traveling, going through relationship problems, dealing with things in my own family. All that stuff builds character.
Often, very talented technical people find it extraordinarily difficult to take the viewpoint of customers, who are often ignorant about the technology and who may have strong and perhaps incorrect prejudices about it. The technical people may believe, deep down, that they know better what customers "should" need. Customers, of course, have a different perspective. They want products that will solve customer problems and provide other customer benefits, and will do so without undue risk or cost. Not infrequently, customers view advanced technology itself as a risk.
When I'm getting to know someone, I look for someone who has passions that I respect, like his career. Someone who loves what he does is really attractive.
And I'd spent 20 years in bars and nightclubs, dealing with promoters and getting ripped off and just everything that comes with all that stuff - paying your dues, I guess.
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