A Quote by Lynne Ramsay
I suppose every filmmaker, at least the filmmakers I really like, are amateur psychologists to a degree. Or they come from a psychological approach, I guess.
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It's really interesting to observe each filmmaker's approach to filmmaking and I feel very fortunate to have worked with a lot of really interesting filmmakers and they all approach their job in unique ways.
Our problem was that in the American approach to Soviet affairs policy has oscillated between people who take an essentially psychological approach and people who take an essentially theological approach, and the two really meet. The psychologists try to "understand" the Soviet Union. And try to ease its alleged fears. The theologians say the Soviets are evil.
Once the amateur's naive approach and humble willingness to learn fades away, the creative spirit of good photography dies with it. Every professional should remain always in his heart an amateur.
I think of myself as an amateur filmmaker, not a professional, in the sense that "amateur" means love of something, for the form.
It's probably unprecedented for a filmmaker simply to take the writers' script and treat it as the instructions on the package. What really happens is you pretty much suppress your own instincts - and your own views on the matter - and write things the way filmmakers would like to have them, though the filmmakers often don't know what they want. They can only find out by reading what you do.
Some black filmmakers will say, "I don't want to be considered a black filmmaker, I'm a filmmaker." I don't think that. I'm a black woman filmmaker.
I really enjoyed my degree, for me it was the best course you can do. To be able to study the brain and nervous system and the mind with a scientific approach is just incredible! Its philosophical, psychological and biological, three very interesting areas to me.
He is so infinitely blessed, that every perception of His blissful presence imparts a gladness to the heart. Every degree of approach to Him is, in the same proportion, a degree of happiness.
Between the amateur and the professional . . . there is a difference not only in degree but in kind. The skillful man is, within the function of his skill, a different psychological organization. . . . A tennis player or a watchmaker or an airplane pilot is an automatism but he is also criticism and wisdom.
I guess the best thing about having a successful record like this is, like, I know I'm at least good for another five years, like, before everyone starts to like - all the haters start to come out again. And that's really what it is.
I really took filmmaking very seriously... It was an honor and then a crutch also, because at a young age, I was like, I guess I'm a serious filmmaker. I never set out to be a serious filmmaker. I just set out to make movies.
I don't like it when filmmakers say, 'Just come like this, sir.' I like to experiment with my makeup. I wish more filmmakers let me do that.
I like to work with artists from around the world. There are so many new inspiring filmmakers. I had the privilege recently to work with Ethiopian filmmaker Zeresenay Mehari and his wife on the film Difret. They are that unique balance of very thoughtful conscious filmmakers who are also brilliant, original artists.
I suppose my approach to religion is like my approach to music - I take what I want and leave the rest.
I still consider myself to be an amateur filmmaker. And I say that because in the Latin origin of the word amateur is the word love, and it's love of a form, whereas professional implies something you do for money or for work.
While it is increasingly possible for filmmakers to find an audience on their own (something that is particularly popular amongst documentary filmmakers) I'm still a believer in the "specialist". By this I mean, I back myself as a filmmaker, but I leave the marketing and distribution of my films to the experts.
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