A Quote by Lynne Ramsay

I think you can say so much about a character in lots of subtle ways. — © Lynne Ramsay
I think you can say so much about a character in lots of subtle ways.
Words can hurt you. In the larger world, it frames how people think about you, and it can hurt you in lots of little, subtle ways.
A lot of people will always say, 'I really know nothing about the ancient world.' But there's lots and lots of things people know. Partly, they've been encouraged to think they're ignorant about it. In some ways, the job to do is show people that they know much more than they'd like to admit.
I know lots and lots and lots of vegetarians who think it's perfectly all right to kill animals for food to eat, but don't do it because they think all the ways in which it's done are wrong.
We can create the sensation of community through the accrual of actions, and that's often the clichéd way that storytelling is talked about, as someone taking a solo, and that's great for lots of reasons. But I don't really like to feel like I'm forced to listen to it in a certain way, or that there is one master reading of performance. I think what we want from performance is multiplicity, which is lots of ways in and through it, because it's for lots of people, and it was created by lots of people, often.
I wouldn't think of my characters' moralities at all. And I think I identify fully with every main character I've written about and would say that I am them pretty much. So in terms of that I don't think I'm similar to Bret Easton Ellis .
I think the idea is to try and understand everything about the characters and where the character is coming from, from their point of view, why they say what they do. And not, 'Oh, but I would never say that. Why does the character say that?' But then making it as personal as possible.
Everything you do, every thought you have, every word you say creates a memory that you will hold in your body. It's imprinted on you and affects you in subtle ways - ways you are not always aware of. With that in mind, be very conscious and selective.
In your body, there exists a subtle current of electricity, very subtle. But the subtler it is, the deeper it goes. It is not very visible. Scientists say that all the electricity that is in your body, if put together, can be used to light a five-candle bulb. It is not much. Quantitatively it is not much, quantitatively the atom is not much, but qualitatively... If it explodes, it has tremendous energy in it.
I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.
Even though Lyndon Johnson's presidency was in many ways scarred forever by the war in Vietnam, and destroyed in a lot of ways, he - as a character - was even larger than his presidency. Being able to get to know him well, that firsthand relationship with this large character, I think is what drew me to writing books about presidents.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
I think kids are in your temporary care, and that they probably arrive with pretty much the personalities they're going to have. I grew up in a perfectly traditional family and turned out how I did. I'm not sure there's much that the family can do except lots of love and lots of care and lots of chances for them to develop the best they can.
I think there's always pieces of yourself that bleed into your character. That's inevitable. In some ways, we have similarities, but in other ways, we're completely different. It's hard to say because I'm an actor living in a world where we're all pretty privileged, and this guy is fighting for his life. They're very different circumstances. Within those circumstances, there are probably ways that we react to certain situations that are similar.
Lots of media people ask me what do you think of yoga in the gyms, and what do you think about this article and what do you think about that, and how about it's so commercial now. I say, look, whatever gets people turned on to it.
I think with '10 Things I Hate About You,' I was an angsty teenager, and in some ways, I responded to that character. That was one of my first big jobs, so I think maybe I lucked out, and casting thought that I was a good match for it. Since then, as I've gotten older, I'm a much more happy, joyful, almost carefree person.
Lots of different ways to live and lots of different ways to die. But in the end that doesn't make a bit of difference. All that remains is a desert.
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