A Quote by Lynne Ramsay
It's a real skill to take a piece of literature and make it in cinema. It's quite a different form, and I think I have to respect that.
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I think one of the things you have to have is a respect for the camera, a real respect, and a real love for it, and to really, when I say take it seriously, quote 'seriously', I mean not patronize it. It's a big mistake to patronize it and think it's a third rate medium, because it's not, it's a great art form.
I think 'E.T.' is a quite extraordinary piece of cinema.
To me, cinema is cinema. Cinema is one big tree with many branches. The same as literature. In literature, you don't just say, 'Oh, I bought some literature.' No, you say, 'I bought a novel' by so-and-so, or a book of essays by so-and-so.
The reason that fish form schools, birds form flocks, and bees form swarms is that they are smarter together than they would be apart. They don't take a vote; they don't take a poll: they form a system. They are all interactive and make a decision together in real time.
I don't think that any 'ism' is higher than literature or art. So I'm a formalist. I greatly honor and respect the form of a work.
I think cinema is linked to literature by a lot of social ways. Our brains are full of literature - my brain is.
It is probably true quite generally that in the history of human thinking the most fruitful developments frequently take place at those points where two different lines of thought meet. These lines may have their roots in quite different parts of human nature, in different times or different cultural environments or different religious traditions: hence if they actually meet, that is, if they are at least so much related to each other that a real interaction can take place, then one may hope that new and interesting developments may follow.
I think it's important for anyone who takes cinema seriously not to limit yourself to just optimistic or happy movies. I think that's a problem. You've got to be willing to let the art of cinema take you into some darker places if you're going to make full use of it.
The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.
- With respect, Professor McGonagall, I'm not quite sure you understand what I'm trying to do here. - With respect, Mr. Potter, I'm quite sure I don't. Unless - this is a guess, mind - you're trying to take over the world? - No! I mean yes - well, NO! - I think i should perhaps be alarmed that you have trouble answering the question.
I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television.
The world of the cinema and of painting are very different; precisely, the possibilities of photography and the cinema reside in that unlimited fantasy which is born of things themselves... a piece of sugar can become on the screen larger than an infinite perspective of gigantic buildings.
I've had a lot of careers in my life. When I think about it, I think every piece of that - from being a nurse, a farmer, dealing with real estate - has added to a skill set that I would have been able to use throughout my political career.
I think jokes are a perfectly viable form of literature. Some critics take issue with me because I make my points and discuss my ideas with jokes, rather than with oceanic tragedy.
I think there's not a lot of real filmmakers. There are only a few people who make real cinema. I can count them on my fingers.
Frankly speaking, I hate comparisons. Two individuals are doing two different films, playing two different characters: how can you compare them? It is not fair to get into ratings. It really doesn't matter what I think about other actresses; what matters is what the directors think of them when they are casting them in a project, because I think it's the director who's behind a successful piece of cinema.
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