A Quote by Lynne Ramsay
I love the discipline of shooting film, because you don't cover everything, and I'm glad that I learned that way.
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Shooting on film is great because it imparts discipline: What do you need to see so you're not finding it in the camera. When I'm shooting, I have the scene in mind, where I'm going to have certain lines. I learned to overlap and to shoot more than I think I need. That was the learning curve.
Love myself I do. Not everything, but I love the good as well as the bad. I love my crazy lifestyle, and I love my hard discipline. I love my freedom of speech and the way my eyes get dark when I'm tired. I love that I have learned to trust people with my heart, even if it will get broken. I am proud of everything that I am and will become.
Shooting a film with seven to eight actors together is complicated sometimes because you have to cover everybody.
If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.
I'm quite glad I never learned to play the guitar, because I think I'd write songs that were more classically structured. As it is, I've had to create my own way of writing, which isn't typical. Everything's a big crescendo.
I love writing, and I love postproduction. That's great, because you start to reassemble the film, and you sit there, and you start to really put the film together, finally. The shooting of it is the most stressful part of the process.
Falling in love is biologically natural; sustaining love is biologically un-natural. Sustaining love requires a learned discipline. The discipline of love. The discipline of understanding our partner. (I've never heard someone say I want a divorce - my partner understands me.)
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
I have learned to do what I want without hurting anyone. I've learned how to get away with it, with everything. I'm getting away with what I'm trying to do on film but also in my own way.
Ultimately, any type of discipline is flawed because it keeps the person who is being disciplined inept. As long as the experience is happening to you, while it is imposed on you, it is not your dream. When discipline is administered externally, the participant is dependent on the administrator of the discipline. When discipline is administered internally, the athlete becomes a victim of the structure of the discipline. Either way, only the discipline, not the dream, is being pursued.
In Queen Mary's, which was an all-girls' college, I learned discipline, hard work and to be competitive. But at Madras Film Institute, I learned about the world, being free and knowledgeable, and thinking beyond oneself.
Various studios are still shooting on film with digital grain and the DI negatives, it's not ideal. We should really be all film or all digital. But that being said, the old way of graining in the camera, now you can make changes like a painter. It's dangerous because you can ruin the film, you can over-fiddle. We've all seen films and gone 'what the hell is that?'
I'm really glad to have made a movie that way on Superbad, because I learned a lot about what can be done and what the limitations are.
I started my career with her. I was supposed to do my first film in Tamil in which she was the other heroine. The film was titled 'Vennira Aadai.' It was a love triangle, with Jayalalithaaji and I playing the hero's two love interests. But the director Sridhar removed me from the film after a few days' shooting.
I shoot very little film. If you just do coverage you're shooting any number of potential films instead of just one, and I was shooting just one specific film. Film is cheap but time is expensive.
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