A Quote by Lynne Ramsay
Films I've really liked are when you've walked out and you're still in that movie for a while. That's virtual reality for me, to go into a theatre, especially with the use of sound - a subconscious thing that's underestimated. I remember seeing 'Blue Velvet' when I was 15, and half the audience walking out, but I thought my life had changed.
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I remember when I was a dancer and I had to do this performance and I was really nervous about it, and I happened at that moment to go see 'Flashdance.' I mean, it's silly, but I walked out of that movie going 'what a feeling!' I walked out with confidence.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
I remember one night, my parents were out at a function of some kind and I had just gotten cable in my room. That was a big deal, and I saw 'Blue Velvet' on HBO. It blew my mind in a way that I don't think children's minds are supposed to be blown, but they probably shouldn't be watching 'Blue Velvet.'
Music has fed me a lot of ideas... The film BLUE VELVET came out of Bobby Vinton's version of the song BLUE VELVET.
I think for most people, the audience probably couldn't tell the difference, but I know they [shots of visual effects] can be better. And the people working know they can be more precise. I'm still doing another round of sound mixing and color timing, pretty technical stuff. I think the movie [Life of Pi] is really presentable, nothing was left out that would take you out of the movie. I just need to perfect the job and I still have two weeks to go [to deliver final cut to Fox].
I still haven't gotten over this thing of walking down the street and somebody recognizing you because you've been in a movie. There's this illusion that movie stars only exist in the movies. And to see one live is like seeing a leopard let out of the zoo.
I personally enjoy theatre, but preferably I do films so that I can reach up to maximum audience. If you want to give a serious message, it will reach out to maximum people through films. But through theatre, you can hardly reach out to about 3,000 audience at a time.
We walked on the beach, fed blue corn ships to the seagulls, and munched on blue jelly beans, blue saltwater taffy and all the other free samples my mom brought home from work. I guess I should explain the blue food. See, Gabe had once told my mom there was no such thing. They had this fight, which seemed like a really small thing at the time. But ever since, my mom went out of her way to eat blue. She baked blue birthday cakes. She mixed blueberry smoothies. She bought blue-corn tortilla chips and brought home blue candy from the shop.
I went to see a children's matinee at the movie theatre one summer, but at some point they had changed to the grown up movie in the late afternoon, and I ended up seeing this movie called 'The Bad Seed.' It just terrified me.
When I first started wearing wigs, I didn't know you had to anchor them down with bobby pins. I walked out during a windy day and my wig blew off and got stuck to a branch. I was walking while my wig was hanging! If that's not the most embarrassing thing... but you have to use bobby pins.
I was a teenager, and I went to see the Superman movie, and up to the point I walked into that movie, I was a kid with no direction and no real purpose and no strong parental figures, and kind of aimless. I walked out of that movie knowing that whatever my life was going to be from then on, it had to have something to do with Superman, because something touched me emotionally with Christopher Reeve's performance.
I played Thersites and I remember we were also doing some places out of town before starting our run at The Old Vic in London and we were at the Yvonne Arnaud Theatre in Guildford and I walked on stage and I've got an opening speech that begins: "Agamemnon, how if he had boils?" And I went on and said: "Agamemnon..." And a woman in the front row just went 'tut'. I thought: "I've only done four syllables, give us a chance!" I got one word out and the audience were already tutting. It was worse than any heckle I ever had doing comedy. So, I'll stick to gnomes.
Multiplicity was a movie that tested really well. People seeing the movie really liked it, but then the studio couldn't market it. We opened on a weekend with nine other films.
I remember my wife wanted me to go see 'Contagion,' and I was like, 'Oh my God, why would I want to see that movie?' I mean, I'll just have nightmares and it will freak me out. It turned out that I really enjoyed it; I thought it was very well done.
Like the morning you walked out of that old house, when you were eighteen and I was, well, I had just turned nineteen, hadn't I? I was a nineteen-year-old and I was in love with Louis and I was in love with you, and I thought I had never seen anything so beautiful as the sight of you walking out a glass door in the early morning, still sleepy, in your underwear. Isn't it strange?
First time I walked out on the Opry stage, Vince Gill was there. He kind of 'daddied' me through the whole thing. My knees were knocking. I walked out there, and I was literally shaking. They say it's the spirits or the ghosts. And out of respect for that whole establishment, I was really really nervous.
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