A Quote by M. Night Shyamalan
I try to take B genre movies and treat them as if they're A dramas. Get the cinematographers, get the actors to do an A drama, but it just happens to be about aliens or ghosts or crazy people, or killers, or whatever it is.
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I don't believe in aliens. I don't think aliens or ghosts like black people. We never get abducted; our houses never get haunted. It always happens in rural areas, where no ethnic people live. The day I see somebody from South Central Los Angeles say, 'Man, I got abducted yesterday,' then I'll believe it.
I love doing comedy, and I don't get a chance to much. I get to play lots of serious people, and killers, and people with a lot of... sheriffs. Good people and bad people, but lots of drama, and to get a chance to be genuinely silly is a great treat for me.
People like to think that actors are terribly worried about ghosts of other actors in the parts they play. But you just have to get on with it.
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
You can't ask the guy with the checkbook to always be the person. So, we actors have to try. And believe me, it's not just young people who are struggling with this, trying to get things of substance made because of the proliferation of technology that it's just harder and harder to get things that really matter made. But they are being done and you just have to fight the good fight and try to... if you have something that you have written, you have to do your best to try to get it made in whatever way you can.
The goal with me, and the way I challenge myself as an actor, is to go from genre to genre. I like that. A lot of actors always challenge themselves. But for me the challenge lies not only in getting better, but going from drama to comedy to action or whatever the case may be, and having a wide array of movies in terms of my filmography.
My norm for watching scary movies, what I love about it, is when they work and they scare me, which is not that often I'm afraid. The more you know the genre, your taste becomes a little more rarefied and you take a very particular route to the type of movies you like in the genre. But I still get scared.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
I love the new Marvel films, but I am not crazy about them. It is no longer a sub-genre or a fanboy genre. It has become so mainstream. You cannot say, 'I love superhero movies.' Everyone loves superhero movies now.
I love the romantic comedy genre. It's a genre rich with many of the best movies ever made and I try to treat it with the respect that Shakespeare treated it with.
The title's 'Cowboys & Aliens,' so you can get away with a lot if you chose to. You could make it the union of Cowboys Movies and Alien Movies and done whatever was convenient at any given moment. I think that's what most people would do, especially if you went broader and more comedic. Do whatever's the most fun in the moment.
Dramas for me are where it's at, but a great drama, a great character-driven drama, there's very few of them that get made; there's very few of them that actually make it to theaters. There's just very few of them.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
When I write an email where I outlined a whole scene, it just came out of my unconscious, it comes from a deeper place. The same thing happens when the actors go, take after take, and just get lost in it. When you're in a house, you don't think about being in the house; you're just there.
You get to a point where it's like you can't really do anything right, and people will pick on you for whatever decisions you make, so I just try and take no notice and get on with my music.
Many people came out and said, 'Boy I'd love to make a film that way.' Well, borrow some money, get some people together - you can get people to work for nothing, just treat them right, treat them as human beings, not stars, give them all an equal share, make them feel a part of what they're doing. There's no big secret to it.
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