A Quote by M. Night Shyamalan

You don't want to watch classics with me 'cause I'm constantly writing notes. — © M. Night Shyamalan
You don't want to watch classics with me 'cause I'm constantly writing notes.
The cord-cutting generation hates cable TV 'cause they think they're corporations and they rip people off and they make you buy a bunch of channels you never watch in order to get the channels that you do watch. They've always said, "We want to be a la cart. We want to be able to cord-cut. We want to be able to watch what we want." So it's now evolving where if they only want to watch HBO they can but they have to pay for it. If they only want to watch Cinemax, they can, but have to pay for it.
'A Fair Maiden' existed in notes and sketches for perhaps a year. When I traveled, I would take along with me my folder of notes - 'ideas for stories.' Eventually, I began to write it and wrote it fairly swiftly - in perhaps two months of fairly intense writing and rewriting. Most of my time writing is really re-writing.
TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'
I enjoy classics, but classics are classics for a reason. I prefer to focus on the future. There are a lot of new stories to be heard.
I told him (Pete Rose, Jr.) who to watch. I said if you want to be a catcher, watch Johnny Bench. If you want to be a right-handed power hitter, watch Mike Schmidt. If you just want to be a hitter, watch me.
Too often we take notes on writing, we think about writing but never do it. I want you to walk into the heart of the storm, written words dripping off hair, eyelids, hanging from hands.
When I worked in theater, I was always writing things on Post-it Notes and sticking them on screens or desks. Twitter has given me a way of continuing to post those notes, only a lot of other people see them, too.
I grew up writing thank-you notes. Real, honest-to-goodness, pen-and-ink, stamped and posted letters. More than simple habit, it's about what the commitment to expressing your thoughts and feelings in writing says about the character of the writer. About the joy such notes bring to the reader.
For notes related to books I'm writing, I've wondered whether I should organize my notes better, but I do find that the action or scrolling through them and seeing odd juxtapositions of ideas helps to stimulate my own ideas and creativity. I worry that if I kept the notes in a highly-structured way, I might lose some of these benefits.
Decorating is like music. Harmony is what we constantly strive for. At home, we want a peaceful atmosphere where the objects are the notes and nothing is off-key.
People think that writing is writing, but actually writing is editing. Otherwise, you're just taking notes
It's not easy to writing thank-you notes for the stuff you didn't want in the first place.
To me, the biggest notes and the longest notes are the easiest notes.
If you're thinking like that - 'Does this person want me for me?' - then you're gonna have a hell of a hard time falling in love, 'cause you're constantly thinking about what they look like on paper.
I never claimed to be a low-maintenance gal, but when I'm writing, it's particularly challenging. I lose things constantly: my watch, my glasses, my papers, my mind.
I’ll write down little lines, I always say, 'K.T.N.,' and I say that to my receivers and running backs and that means 'keep taking notes.' That keeps me alert. That keeps me going. That keeps my drive there, even when you’re taking notes on something that you’ve already taken notes on a million times - keep taking notes.
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