A Quote by M. Night Shyamalan

I love my stories being multi-layered, and coming at it from different angles, so that you don't understand the film's true emotional motivation until the very end.
'TMOK' is about the very interesting journey of a girl in a different situation, and different stories blend into one film. The film has a lot of emotional depth, and I am sure people will like it.
I love performing. The sounds coming at me are dynamic, colorful and multi-layered. The energy from the musicians around me and from the audience is a swirl of excitement. Sometimes, I can feel the stage vibrating under my feet.
Sometimes, being different feels a lot like being alone. But with that being said, being true to that and being true to my standards and my way of doing things in my art and my music, everything that has made me feel very different... in the end, it has made me the happiest.
Pu La's writing is multi-layered, multi-faceted, and deep.
Poaching is a very complicated, multi-layered problem.
There's very few directors I think in this industry that would pitch to a studio that they wanted to do a multi-layered almost at times existential high action, high drama surreal film that's sort of locked in his mind. And then have an opportunity to do that.
Time's Up is really about safety and equity in workplaces, and that's a very multi-layered demand.
I look for stories that tell transformative, emotional journeys, have big emotional worlds, feel very relevant and true to the times we're living in - even though they might be of a different time - have a sense of real intimacy with larger forces at work, where there's some kind of social injustice and inequity happening that needs to be conquered or addressed. I find historically that's the formula for a lot of successful operas.
A topic is not interesting enough until it is multi layered. There is no vigor in a motive without many layers. One also learns quite a lot when one has been working on a difficult painting. That is my feeling. I believe that.
My career has taken so many different paths to this point that I've come to realise that we're all the same, everywhere I've been. We're all just creatures trying to tell stories as good as we can, so whether that's in a tiny theatre or as part of the biggest multi-million dollar film, we're all still just trying to tell a good story at the end of the day.
The template that 'Infinity War' is following is a very different, complex template because you've never seen so many characters in one film. It obviously has to be a multi-perspective film.
I was always looking for holes in the stories, to the very end, until I was really satisfied that I believed in it and could back it up five different ways.
Rather than doing a hero-oriented film, I love being a part multi-starrer film, because such films always strike a chord with audience.
I just try to put myself in the sense of being a character, sometimes male. I suppose I just like the idea of trying to be different people coming from all kinds of different angles. Most of it was just from my imagination.
I love characters that are very layered and complex. It's more exciting and different than any simple role- plus, I love a good challenge.
I feel Indian music is very layered and emotional.
This site uses cookies to ensure you get the best experience. More info...
Got it!