A Quote by Ma-Roo
The direction Eun Gi is trying to go, I don't know. How you're going to go that way. What you're trying to do going that way. I don't know. With what thoughts... With what mind she is taking that way... Even if I ask, Eun Gi won't answer. The only thing I know, is that, I, next to Eun Gi who is going that way, it could be that I can't go that way with her together.
Related Quotes
Eun Gi has come back. The Eun Gi I am seeing now is not the Eun Gi I knew before. What is it that she remembers? And what is it that she forgot? What is it that she let go? And what is it that she's looking for? Even though Eun Gi has come back, I am still waiting for that kid. I won't get exhausted, won't get anxious, and won't get... impatient.
Eun Gi. Let's run away. I will go wherever you want. To where no one can find. Run away with me. Seo Eun Gi.
Marcelo Garcia is one of those fighters who trains with no-gi, and is also great with gi. When you train with no-gi you actually get better with gi too. I am spending all the time on no-gi, so it becomes a different animal.
When I look for what I'm going to listen to I go backwards. I'm always going the other way you see. Most people are trying to figure out 'how do I get in the fast lane going that way?'. I'm going in the other direction. I wanna find the oldest thing to do.
So, when you train no-gi all the time, the no-gi style evolves quicker, twice as fast. Especially, the way we do it at 10th Planet, I am not just the one conveying the knowledge. All my students are involved.
Eun Gi is lying. It means she doesn't believe me. It means she is angry at me. It means she can't forgive me.
Sometimes it's easier to make decisions when you know that you've tried things that are so wrong, you know, "OK, I don't go that way with it. I don't go this way with it." The way I work, I kind of have to go down all those wrong paths to know that the one I'm doing really is the one that is going to work.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.
Look what we are trying. You call it dharma, but it is not. What we are trying is to come together; come together to an understanding. The difference is, the discipline is, the commitment is that we are going to come together with the following guiding lines: 'May the long time sun shine upon you, all love surround you, and the pure light within you guide your way on.' When we came together we decided we would guide our way on. My way and your way we already know, so we do not need to learn that. Each one of you knows 'my' way and 'your' way. All we have to learn is 'our' way."
I had zero interest in going to college. I used my GI Bill to help pay for training. I hated doing group projects or deal with people in the class who aren't paying attention. That made me go insane. I was looking for any way out. My sanity was fighting.
The only way to find that territory is trying to keep your mind constantly open. That's the only way that you're ever going to see the sort of signs of where to go.
I know that I'm going out there, and I know that I am going to get hit in the head. I know that's part of football. That's like a firefighter knowing he is going to go into a fire at some point. You know you are going to be put in danger's way, and you accept that risk, and you do it.
I never know what I'm going to wear until five minutes before I go somewhere... I guess I know what I'm comfortable in. I don't know how to describe that, I mean you either put it on and go 'no way' or 'OK, let's go.'
In the past, I'd sort of know before Ozzy sang something, what he was going to sing. I'd know what sort of way a melody was going to go 'cause of the way he'd approach it.
You just start going through that process of trying to put together a cast that works. I don't know that I can explain it in a way that you can go, 'Oh.' It's a little bit like saying, 'How would he be with him? How does that feel?'
