A Quote by Mabel Cheung

I'm a hopeless romantic. I consider myself a realistic person who usually finds stories from real life people. — © Mabel Cheung
I'm a hopeless romantic. I consider myself a realistic person who usually finds stories from real life people.
I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.
All my life, my girlfriends are always skinny. Beauty in art has nothing to do with beauty in reality. Why do you like primitive art? Because there is beauty in the deformity. Sometimes paintings that people consider realistic are not at all. Raphael figures look realistic, but in real life, they were deformed.
The evangelist is the world's hopeless romantic, and just like a hopeless romantic, he must hope for the miracle of God more than the romance itself.
One half of me is a hopeless romantic. The other half is well... just realistic.
As a hopeless romantic, I'm drawn to stories of improbable beginnings.
I consider myself to be a romantic person, and I love the idea of having a soul mate.
I think that baseball as a whole, I am a huge romantic when it comes to the history and the stats and the numbers the stories behind it, so I would consider myself a pretty big fan.
I don't consider myself a fashion person, I consider myself a shopping person. As a person who has girlie interests and a little bit of disposable income.
I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.
I'm a hopeless romantic and passionate person when it comes to love.
The feelings, myths and prejudices about the Negro American which now seem so valid and real to some of our white contemporaries will take their place on the shelf along with the belief in witches and the notion that the earth is the center of the solar system. Nobody knows as yet whether the future [of the race situation] is hopeless. All we know is that it can be made hopeless, if enough people choose to consider it so.
One of the great injustices in fiction is that on the whole people with romantic yearnings have romantic faces. But in real life it's not always like that.
By putting myself out there the way I've been doing people see me as a real person. Even though I do character voices and funny noises the stories are still real and I put them all out there.
'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.
I used to be addicted to 'Reader's Digest' growing up. I would read the stories about love, and I guess that's where I became a hopeless romantic. I draw from that a lot.
I have played so many romantic roles that I don't know if I am really a romantic in real life. I get confused about the real me.
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