A Quote by Madhur Bhandarkar

For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world. — © Madhur Bhandarkar
For my film 'Fashion,' like an investigative journalist, I went about knowing the people, the models, the fashion designers. Similarly with the corporate world.
The designers, photographers and models I work with, they are really hard-working people who are devoting their lives to fashion. They're kind of like nuns of fashion.
There's something about the fashion world that I like, which is, I see a lot of the designers really have affection for other designers.
Fashion lives in the world of ideals; it is not necessarily grounded in the real world. The question becomes whose ideal it is. My ideal happens to be diversity. I love difference. I love change. I love experimentation and eccentricities. I like not knowing something and then discovering. Fashion can only reflect this diversity if we designers have an open and curious mind.
We are talking about mutated women, the result of cruel genetic experiments performed by fashion designers so lacking in any sense of human decency that they think nothing of putting their initials on your eyeglass lenses. The leading cause of death among fashion models is falling through street grates. If a normal woman puts on clothing designed for these unfortunate people, she is quite naturally going to look like Revenge of the Pork Person.
I always have a soft spot in my heart for New York designers and independent designers, people who are doing the fashion equivalent of what I'm trying to do in film.
Film is a narrative format. Some fashion films try to retain some of the poetic mystery, but most of the time they only end up looking like some crappy, pretentious film-school thing. So I think the interest in film is really about the fashion world finding another form of expression.
I don't think there is the same space for fashion designers to create like Yves was doing it. So, it's that he's one of the last, great geniuses in fashion.
It was only when I began modeling at 18 that I really began enjoying fashion and reading any fashion magazine I could get my hands on, and developing a profound respect for designers, fashion and how to wear it.
Tailoring was considered to be a world that was very traditional, and basically going out of fashion. Fashion designers did not have a real link with tailoring or tradition, so I fused the two worlds together.
The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
I'm very interested in fashion shows. For me they're at the center of everything. What happens on the side, that's the energy - it's fashion week - but fashion shows are at the heart of it. I function more like a stylist. I'm inspired, and then I try to find it on the street. What's great about a blog is that you can do completely crazy things like take the moustache shoes Marc Jacobs did for Louis Vuitton for spring and talk about what that has to do with moustaches. In fashion, what people are looking for is inspiration and new ideas all the time.
I really don't think about making fashion statements. Just like any other woman or girl, I like to dress up. I think I'm fortunate enough to be dressed by some of India's best designers and to have the opportunity to wear their wonderful creations. But I have never made a conscious effort to try and be a fashion icon or something.
'Vogue' has the power to make and break - whether it's fashion trends, designers, models, and yes, even industry practices.
The Council of Fashion Designers of America is a national neurotic society of creative leaders in various fields of fashion.
I wanted to be a fashion journalist and went to the London College of Fashion to do a journalism and promotion course.
If you take 'Agni Natchathiram,' it is about two half-brothers and their emotions and those are genuine, which can be made into a very hard-hitting film just that it can be presented in an entertaining fashion. Similarly with 'OK Kanmani,' it is a genuine film; it is not a flippant film just for commercial purposes.
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