A Quote by Madhur Bhandarkar
I pick my actors primarily based on my gut-feel. They could be rank newcomers or established stars, but if I feel they'll do justice to my characters, they are on. I think Bollywood is now looking towards Kollywood for new faces, and, to my mind, Suriya will be a very successful crossover star because he's very versatile.
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One of the things that I really love about doing a film is working with actors and the whole casting process. I feel I'm not looking for actors. I feel I'm looking for characters. If the characters come from Bollywood, fine. If they come from Indian theater, perfect.
Kollywood allots big budget only for commercial films. Bollywood film industry is straightforward that way. When compared to Bollywood, Kollywood is fake. They keep churning out the same films.
My concept of successful living is escaping the matrix, as we've talked about. It has very little to do with what people think success is. I actually feel successful right now, even though I don't have an album out, or a video or a song on the radio, because I'm trying to be obedient to His will.
How do I change? If I feel depressed I will sing. If I feel sad I will laugh. If I feel ill I will double my labor. If I feel fear I will plunge ahead. If I feel inferior I will wear new garments. If I feel uncertain I will raise my voice. If I feel poverty I will think of wealth to come. If I feel incompetent I will think of past success. If I feel insignificant I will remember my goals. Today I will be the master of my emotions.
My father came from a chawl and became a top star in Bollywood and worked very hard for us. When I look at my dad, I feel very good that my papa did so much.
To be labeled as a strong woman when you feel vulnerable is a strange place to be, because then you're, like, "Oh, I have to be strong now. But I don't feel strong. I feel alienated. I feel isolated. I feel that things are very surreal, and they're not authentic, and this is all just very overwhelming."
I'm not such a big star. I am just a little planet. In Spain, people don't put so much attention on the star system. But here in America, I can feel it. Mostly, people are very, very nice. But there are also a bunch of fanatics behind the stars.
What we think is, in the adult person, very much a matter of what we allow ourselves to think, and what we feel is very much a matter of what we allow ourselves to feel. Moreover, what we think is very much a matter of what we wish and seek to think, and what we feel is very much a matter of what we wish and seek to feel. In short, the condition of our mind is very much a matter of the direction in which our will is set.
Bollywood is very structured and organised, but Kollywood and Tollywood can be quite spontaneous, and I enjoy that.
I don't think discovery of a new planet has a huge meaning for children now, but what it means is the world they're growing up in is very different from children of previous generations. We had Star Trek, Star Wars and Futurama - and we still do - but for children today, they will grow up in a world where other stars were known.
If I'm intimidated, I shouldn't be directing a movie. I gotta treat 'em as characters, not as stars. It's hard to not treat Marlon Brando as a legend, a star, it's difficult not to treat Robert De Niro as a star, but that had to go away very fast after I knew them, because I had to work with them. I'm the director, I'm the boss. They're looking to me for guidance.
I feel like I'm struggling now, and nearly every musician I know feels that way - even the most successful ones. I realize that I'm very lucky, but I still feel like I could be doing so much better.
And the parents who knew "Star Wars" could take kids and feel like they've gone back to a place that is familiar and yet found brand-new characters that took them somewhere they'd never been. And it was important me that we embrace that feeling, and you can call it retro, but I think it's what "Star Wars" is.
I think the biggest things I am looking forward to is getting new faces into the sport. Getting kids who could be afraid of water to feel comfortable in the pool.
I just don't feel like I've seen very many movies about 17-year-old girls where the question is not, 'Will she find the right guy' or 'Will he find her?' The question should be, 'Is she going to occupy her personhood?' Because I think we're very unused to seeing female characters, particularly young female characters, as people.
I love actors, and I love the casting process. It's funny, like, some writers don't like actors because, I think, they are the faces of the show, and so you feel sort of secondary, but I love actors because they elevate the material; they make it better.
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